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Byzantine mosaic decoration: aspects of monumental art in Byzantium
Otto Demus
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Frontmatter
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FOREWORD (page xiii)
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I THE CLASSICAL SYSTEM OF MIDDLE BYZANTINE CHURCH DECORATION (page 3)
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INTRODUCTION (page 3)
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THE THEORY OF THE ICON (page 5)
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ARCHITECTURAL AND TECHNICAL CONDITIONS (page 10)
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THE ICON IN SPACE (page 13)
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THE IDEAL ICONOGRAPHIC SCHEME OF THE CROSS-IN-SQUARE CHURCH (page 14)
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THE THREE ZONES (page 16)
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FORMAL UNITY (page 30)
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II HISTORY OF THE MIDDLE BYZANTINE SYSTEM (page 43)
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ITS SOURCES (page 43)
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ITS DEVELOPMENT (page 44)
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ITS DISSOLUTION (page 61)
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THE PROVINCES (page 63)
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III THE IMPRINT OF THE SYSTEM ON LATER ART (page 77)
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THE RE-EMERGENCE OF PICTORIAL SPACE (page 77)
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THE SPATIAL NICHE (page 79)
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PHYSICAL SPACE AND FLAT COMPOSITION (page 81)
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SPATIAL COMPOSITIONS IN FLAT PROJECTION (page 82)
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CONCLUSION (page 84)
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NOTES (page 87)
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INDEX (page 95)
Journal Abbreviation | Label | URL |
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BM | 90.549 (Dec. 1948): 361-362 | http://links.jstor.org/sici?sici=0007-6287%28194812%2990%3A549%3C361%3ABMDAOM%3E2.0.CO%3B2-G |