Nationalists, cosmopolitans, and popular music in Zimbabwe

Table of Contents

• Frontmatter

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• Acknowledgments (page ix)

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• Part One Critical Foundations
  • Introduction (page 3)

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  • One Social Identities and Indigenous Musical Practices (page 31)

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• Part Two Colonialism and the Rise of Urban Popular Music
  • Two Indigenous Music and Dance in Mbare Township, 1930-1960 (page 63)

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  • Three The Settler-State and Indigenous Music during the Federation Years (page 93)

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  • Four The African Middle Class: Concerts, Cultural Discourse, and All That Jazz (page 119)

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• Part Three Musical Nationalism
  • Five Music, Emotion, and Cultural Nationalism, 1958-1963 (page 161)

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  • Six Musical Nationalism and Chimurenga Songs of the 1970s (page 190)

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• Part Four Guitar Bands and Cosmopolitan Youth Culture
  • Seven On the Margins of Nationalism: Acoustic Guitarists and Guitar Bands of the 1960s (page 223)

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  • Eight Stars of the Seventies: The Rise of Indigenous-Based Guitar Bands (page 262)

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• Part Five Globalization Begins at Home
  • Nine Nationalism, Cosmopolitanism, and Popular Music after 1980 (page 311)

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• Notes (page 355)

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• References and Bibliography (page 377)

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• Discography (page 391)

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• Index (page 393)

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