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  2. Nationalists, cosmopolitans, and popular music in Zimbabwe

Nationalists, cosmopolitans, and popular music in Zimbabwe

Thomas Turino c2000 © University of Chicago Press
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ISBN(s)
  • 9780226817019 (hardcover)
  • 9780226817026 (paper)
  • 9780226816968 (ebook)
Subject
  • Music & Musicology
Citable Link
  • Table of Contents

  • Reviews

  • Stats

  • Frontmatter
  • Acknowledgments (page ix)
  • Part One Critical Foundations
    • Introduction (page 3)
    • One Social Identities and Indigenous Musical Practices (page 31)
  • Part Two Colonialism and the Rise of Urban Popular Music
    • Two Indigenous Music and Dance in Mbare Township, 1930-1960 (page 63)
    • Three The Settler-State and Indigenous Music during the Federation Years (page 93)
    • Four The African Middle Class: Concerts, Cultural Discourse, and All That Jazz (page 119)
  • Part Three Musical Nationalism
    • Five Music, Emotion, and Cultural Nationalism, 1958-1963 (page 161)
    • Six Musical Nationalism and Chimurenga Songs of the 1970s (page 190)
  • Part Four Guitar Bands and Cosmopolitan Youth Culture
    • Seven On the Margins of Nationalism: Acoustic Guitarists and Guitar Bands of the 1960s (page 223)
    • Eight Stars of the Seventies: The Rise of Indigenous-Based Guitar Bands (page 262)
  • Part Five Globalization Begins at Home
    • Nine Nationalism, Cosmopolitanism, and Popular Music after 1980 (page 311)
  • Notes (page 355)
  • References and Bibliography (page 377)
  • Discography (page 391)
  • Index (page 393)
Reviews
Journal AbbreviationLabelURL
ETH 49.1 (Winter 2005): 120-122 http://www.jstor.org/stable/20174355
NOT 58.2 (Dec. 2001): 378-379 http://www.jstor.org/stable/900705
RAL 32.2 (Summer 2001): 209-211 http://muse.jhu.edu/journals/research_in_african_literatures/v032/32.2mphande.html
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