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Choreography & narrative: ballet's staging of story and desire
Susan Leigh Foster
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Frontmatter
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illustrations (page ix)
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preface (page xiii)
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INTRODUCTION: PYGMALION'S NO-BODY AND THE BODY OF DANCE (page 1)
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1. ORIGINARY GESTURES (page 13)
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2. STAGING THE CANVAS AND THE MACHINE (page 57)
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3. NARRATING PASSION AND PROWESS (page 93)
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4. GOVERNING THE BODY (page 139)
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5. FUGITIVE DESIRES (page 197)
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CONCLUSION: BALLET'S BODIES AND THE BODY OF NARRATIVE (page 253)
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appendix (page 265)
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notes (page 277)
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bibliography (page 335)
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index (page 363)
Journal Abbreviation | Label | URL |
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TDR | 43.2 (Summer, 1999): 159-162 | http://www.jstor.org/stable/1146761 |
NOT | 54.2 (Dec. 1997): 480-482 | http://www.jstor.org/stable/899540 |
SIG | 23.4 (Summer, 1998): 1075-1077 | http://www.jstor.org/stable/3175207 |
Citable Link
Published: 1998
Publisher: Indiana University Press
- 9780253113573 (ebook)
- 9780253212160 (paper)
- 9780253330819 (hardcover)