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  3. The world in Venice: print, the city and early modern identity

The world in Venice: print, the city and early modern identity

Bronwen Wilson
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  • Contents

  • Reviews

  • Frontmatter
  • Acknowledgments (page vii)
  • Illustrations (page ix)
  • Introduction (page 3)
  • 1 From Myth to Metropole: Sixteenth-Century Printed Maps of Venice (page 23)
  • 2 Costume and the Boundaries of Bodies (page 70)
  • 3 Allegory, Order, and the Singular Event (page 133)
  • 4 Reproducing the Individual: Likeness and History in Printed Portrait Books (page 186)
  • Conclusion (page 256)
  • Notes (page 267)
  • Bibliography (page 351)
  • Index (page 395)
Reviews
Journal AbbreviationLabelURL
UTQ 76.1 (Winter. 2007): 389-390 https://muse.jhu.edu/article/212004
TQ 59.2 (Summer. 2006): 517-518 https://muse.jhu.edu/article/234478
TC 47.4 (Oct. 2006): 842-844 https://muse.jhu.edu/article/204990
SCJ 38.3 (Fall. 2007): 927-928 http://www.jstor.org/stable/20478605
Citable Link
Published: c2005
Publisher: University of Toronto Press
ISBN(s)
  • 9780802087256 (hardcover)
  • 9781442682573 (ebook)
  • 9781487525835 (paper)
Subject
  • Art History
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