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Letters to a young actor: a universal guide to performance
Robert Sanford Brustein
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Frontmatter
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1 Prologue (page 1)
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I. STARTING OUT
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2 Inching into the Profession (page 4)
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3 The Pleasures of Imitation (page 7)
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4 An Actor's Calling (page 13)
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5 The Anti-Theatrical Prejudice (page 20)
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II. GETTING THERE
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6 How to Act in College (page 26)
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7 The Case for Advanced Training (page 31)
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8 How to Act in Drama School (page 38)
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9 Into the "Real World" (page 45)
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10 When Worlds Collide (page 50)
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11 Looking for Work (page 54)
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III. BEING THERE
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12 Some Exemplary Careers (page 60)
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13 The Transforming Actor (page 77)
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14 The Actor's Intelligence (page 85)
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15 Film Versus Theatre (page 89)
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16 The Repertory Ideal (page 95)
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IV. WORKING THERE
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17 Actors and Management (page 104)
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18 Actors and Audiences (page 115)
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19 Actors and Directors (page 123)
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20 Actors and Auteurs (page 136)
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21 Actors and Playwrights (page 146)
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22 Actors and Designers (page 158)
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23 Actors and Coaches (page 170)
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24 Actors and Critics (page 184)
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25 Ephemeris, Ephemeris (page 207)
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26 Epilogue (page 213)
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Acknowledgments (page 215)
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About the Author (page 217)
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Index (page 219)
Journal Abbreviation | Label | URL |
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TTOP | 16.1 (Mar. 2006): 103-104 | http://muse.jhu.edu/journals/theatre_topics/v016/16.1irobi.html |
Citable Link
Published: c2005
Publisher: Basic Books
- 9780465008148 (paper)
- 9780465008063 (hardcover)
- 9780786734023 (ebook)