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  2. Yiddish Empire: The Vilna Troupe, Jewish Theater, and the Art of Itinerancy

Yiddish Empire: The Vilna Troupe, Jewish Theater, and the Art of Itinerancy

Debra Caplan 2018
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Yiddish Empire tells the story of how a group of itinerant Jewish performers became the interwar equivalent of a viral sensation, providing a missing chapter in the history of the modern stage. During World War I, a motley group of teenaged amateurs, impoverished war refugees, and out- of- work Russian actors banded together to revolutionize the Yiddish stage. Achieving a most unlikely success through their productions, the Vilna Troupe (1915– 36) would eventually go on to earn the attention of theatergoers around the world. Advancements in modern transportation allowed Yiddish theater artists to reach global audiences, traversing not only cities and districts but also countries and continents. The Vilna Troupe routinely performed in major venues that had never before allowed Jews, let alone Yiddish, upon their stages, and operated across a vast territory, a strategy that enabled them to attract unusually diverse audiences to the Yiddish stage and a precursor to the organizational structures and travel patterns that we see now in contemporary theater. Debra Caplan's history of the Troupe is rigorously researched, employing primary and secondary sources in multiple languages, and is engagingly written.
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ISBN(s)
  • 978-0-472-03725-4 (paper)
  • 978-0-472-12368-1 (ebook)
  • 978-0-472-13077-1 (hardcover)
Subject
  • History:European History
  • Jewish Studies
  • Theater and Performance
Citable Link
  • Table of Contents

  • Resources

  • Stats

  • Cover
  • Title
  • Copyright
  • Dedication
  • Contents
  • Acknowledgments
  • Prologue
  • One. Spectacular Failures
  • Two. Jargon Art
  • Interlude I
    • Three. Between Two Worlds
  • Interlude II
    • Four. Nomadic Chutzpah
  • Interlude III
    • Five. The Vilna Troupe Nexus
  • Interlude IV
    • Epilogue
    • Notes
    • Bibliography
    • Index

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Your search has returned 14 resources attached to Yiddish Empire: The Vilna Troupe, Jewish Theater, and the Art of Itinerancy

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Black-and-white photograph of two actors in Jewish religious garb.

Der dibek (The Dybbuk), Warsaw, 1921

From Chapter 3

Joseph Buloff (left) as Henokh and Alex Stein (right) as Khonen in a publicity still for the original, world-premiere production of Der dibek (The Dybbuk) by S. An-sky. Performed by Mazo's Vilna Troupe in Warsaw, 1921.

Black-and-white photograph of actor Alexander Asro thumbing through the pages of a book.

Der meshugener batlen (The Mad Scholar), Berlin, 1921

From Chapter 3

Alexander Asro as the title character of Der meshugener batlen (The Mad Scholar) by Y. L. Peretz. Produced by Azro and Alomis's Vilna Troupe in Berlin, 1921.

Black-and-white photograph of actress Sonia Alomis dressed in rags.

Di niveyle (Carcass), Berlin, 1921

From Chapter 3

Sonia Alomis as Reyzele in Di niveyle (Carcass) by Peretz Hirschbein. Produced by Azro and Alomis's Vilna Troupe in Berlin, 1921.

Black-and-white photograph of actor Alexander Asro and actress Sonia Alomis embracing

Alexander Asro and Sonia Alomis at a dress rehearsal in Berlin, 1921

From Chapter 3

Alexander Asro and Sonia Alomis at a dress rehearsal in Berlin, 1921

Black-and-white photograph of Sonia Alomis in costume in front of a tallis curtain.

Der dibek (The Dybbuk), Berlin, 1922

From Chapter 3

Sonia Alomis as Leah in Der dibuk (The Dybbuk) by S. An-sky. Performed by Asro and Alomis's Vilna Troupe in Berlin, 1922.

Black-and-white photograph of actor Alexander Asro in costume.

Grine felder (Green Fields), Leipzig, 1922

From Chapter 3

Alexander Asro as Levi-Yitskhok in Grine Felder (Green Fields) by Peretz Hirschbein. Performed by Asro and Alomis's Vilna Troupe in Leipzig, 1922.

Black-and-white photograph of two actors portraying a beggar and a possessed woman.

The dance of death scene in Der dibek (The Dybbuk), Paris, 1922

From Chapter 3

The dance of death scene in Der dibek (The Dybbuk). Performed by Asro and Alomis's Vilna Troupe in Paris, 1922.

Drawing of actress Sonia Alomis

Portrait of Sonia Alomis in The Dybbuk by English painter Walter Sickert

From Chapter 3

Portrait of Sonia Alomis as Leah in The Dybbuk by English avant-garde painter Walter Sickert. The caption reads "The greatest actress of the age." London, likely 1922.

Black-and-white photograph of three actors in Jewish religious costumes.

Der dibek (The Dybbuk), Berlin, 1923

From Chapter 3

Alexander Asro as Khonen (left), Noah Nachbush as the Messenger (center), and Sonia Alomis as Leah (right) in Der dibek (The Dybbuk) by S. An-sky. Performed by Asro and Alomis's Vilna Troupe in Berlin, 1923.

Black-and-white photograph of a wedding scene.

Wedding scene from Der dibek (The Dybbuk), Paris, 1923

From Chapter 3

The wedding scene from Der dibek (The Dybbuk) by S. An-sky. Performed by Asro and Alomis's Vilna Troupe in Paris, 1923.


Noah Nachbush reciting a monologue from Der dibek (The Dybbuk), Recording 1 of 2

From Chapter 3 and Chapter 5

Vilna Troupe actor Noah Nachbush reciting a monologue from Der dibek (The Dybbuk). From a self-produced record that Nachbush made in the 1950's entitled "Noah Nachbush's Gems of Yiddish Poetry and Folklore."


Noah Nachbush reciting a monologue from Der dibek (The Dybbuk), Recording 2 of 2

From Chapter 3 and Chapter 5

Vilna Troupe actor Noah Nachbush reciting a monologue from Der dibek (The Dybbuk)

Excerpt from The Dybbuk film (1937): Leah invites Khonen's spirit to her wedding

From Chapter 3 and Chapter 5

Excerpt from The Dybbuk: Leah invites Khonen's spirit to her wedding

The Dybbuk film: The Dance of Death, excerpt

From Chapter 3 and Chapter 5

Excerpt from The Dybbuk film (1937): The Dance of Death

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