Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Playing with history: the historical approach to musical performance
John Butt
You don't have access to this book. Please try to log in with your institution.
Log in
-
Frontmatter
-
Preface (page ix)
-
Acknowledgements (page xiv)
-
List of abbreviations (page xvi)
-
PART I HISTORICALLY INFORMED PERFORMANCE IN MUSIC CRITICISM
-
1 Joining the historical performance debate (page 3)
-
-
PART 2 HISTORICALLY INFORMED PERFORMANCE AND THE IMPLICATIONS FOR WORK, COMPOSER AND NOTATION
-
2 Historical performance and 'truth to the work': history and the subversion of Platonism (page 53)
-
3 Historical performance and 'truth to the composer': rehabilitating intention (page 74)
-
4 Negotiating between work, composer and performer: rewriting the story of notational progress (page 96)
-
-
PART 3 HISTORICALLY INFORMED PERFORMANCE WITHIN THE CULTURE OF THE LATE TWENTIETH CENTURY
-
5 Historical performance at the crossroads of modernism and postmodernism (page 125)
-
6 'A reactionary wolf in countercultural sheep's clothing?'--historical performance, the heritage industry and the politics of revival (page 165)
-
-
Notes (page 218)
-
Bibliography (page 243)
-
Index (page 253)
Journal Abbreviation | Label | URL |
---|---|---|
MT | 143.1880 (Autumn 2002): 68-69 | http://www.jstor.org/stable/1004554 |
Citable Link
Published: 2002
Publisher: Cambridge University Press
- 9780511100598 (ebook)
- 9780521013581 (paper)
- 9780521813525 (hardcover)