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  2. American renaissance: art and expression in the age of Emerson and Whitman

American renaissance: art and expression in the age of Emerson and Whitman

F. O. Matthiessen 1941 © Francis O. Matthiessen
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ISBN(s)
  • 9780195007596 (paper)
  • 9780199726882 (ebook)
Subject
  • American: 1789-1899
Citable Link

  • Table of Contents

  • Reviews

  • Stats

  • Cover
  • Frontmatter
  • BOOK ONE: FROM EMERSON TO THOREAU
    • I. IN THE OPTATIVE MOOD (page 3)
      • 1. Consciousness (page 5)
      • 2. Eloquence (page 14)
      • 3. Expression (page 24)
      • 4. The Word One with the Thing (page 30)
      • 5. 'The light of the body is the eye' (page 44)
      • 6. A Few Herbs and Apples (page 55)
      • 7. The Flowing (page 64)
      • 8. Self-Portrait of Saadi (page 71)
    • II. THE ACTUAL GLORY (page 76)
      • 1. Expected Unexpectedness (page 76)
      • 2. What Music Shall We Have? (page 83)
      • 3. Thinking in Images (page 92)
    • III. THE METAPHYSICAL STRAIN (page 100)
      • 1. Man Thinking (page 100)
      • 2. The Mingling of Walden and Ganges (page 113)
      • 3. Ishmael's Loom of Time (page 119)
    • IV. THE ORGANIC PRINCIPLE (page 133)
      • 1. From Coleridge to Emerson (page 133)
      • 2. Horatio Greenough (page 140)
      • 3. Thoreau (page 153)
      • 4. New England Landscapes (page 157)
      • 5. Walden: Craftsmanship vs. Technique (page 166)
  • BOOK TWO: HAWTHORNE
    • V. THE VISION OF EVIL (page 179)
    • VI. PROBLEM OF THE ARTIST AS NEW ENGLANDER (page 192)
      • 1. Starting Point (page 192)
      • 2. The First Tales (page 202)
      • 3. 'To open an intercourse with the world' (page 219)
      • 4. The Haunted Mind (page 229)
    • VII. ALLEGORY AND SYMBOLISM (page 242)
      • Theory (page 242)
      • 1. The American Bias and Background (page 242)
      • 2. The Imagination as Mirror (page 253)
      • 3. The Crucial Definition of Romance (page 264)
      • Practice (page 271)
      • 1. The Scarlet Letter (page 275)
      • 2. From 'Young Goodman Brown' to 'The Whiteness of the Whale' (page 282)
      • 3. Hawthorne and James (page 292)
      • 4. Hawthorne and Milton (page 305)
      • Coda (page 313)
    • VIII. A DARK NECESSITY (page 316)
      • 1. Hawthorne's Politics, with the Economic Structure of The Seven Gables (page 316)
      • 2. Hawthorne's Psychology: The Acceptance of Good and Evil (page 337)
      • 3. From Hawthorne to James to Eliot (page 351)
  • BOOK THREE: MELVILLE
    • IX. MOMENT OF TRANSITION (page 371)
      • 1. 'Out of unhandselled savage nature' (page 371)
      • 2. Mardi: A Source-Book for Plenitude (page 377)
      • 3. Autobiography and Art (page 390)
    • X. THE REVENGER'S TRAGEDY (page 396)
      • 1. The Economic Factor (page 396)
      • 2. 'The world's a ship on its passage out' (page 402)
      • 3. Structure (page 409)
      • 4. 'A bold and nervous lofty language' (page 421)
      • 5. The Matching of the Forces (page 431)
      • 6. The Fate of the Ungodly God-like Man (page 445)
      • 7. The Levels Beyond (page 460)
    • XI. THE TROUBLED MIND (page 467)
    • XII. REASSERTION OF THE HEART (page 488)
      • 1. An Alien to His Contemporaries (page 488)
      • 2. Billy Budd, Foretopman (page 500)
  • BOOK FOUR: WHITMAN
    • XIII. ONLY A LANGUAGE EXPERIMENT (page 517)
      • 1. 'Words! book-words! what are you?' (page 517)
      • 2. Vision and Attitude (page 532)
      • 3. Three Analogies for a Poem (page 549)
        • Oratory (page 549)
        • The Opera (page 558)
        • The Ocean (page 564)
      • 4. 'Rhythm in its last ruggedness and decomposition' (page 578)
      • 5. 'Landscapes projected masculine, full-sized and golden' (page 596)
        • The Genre Painting of W.S. Mount (page 596)
        • The Realism of Millet and of Eakins (page 602)
        • 'And what shall the pictures be that I hang on the walls?' (page 613)
    • XIV. MAN IN THE OPEN AIR (page 626)
      • 1. The Need for Mythology (page 626)
      • 2. Representative Men (page 631)
      • 3. American Demigods (page 635)
      • 4. Full Circle (page 646)
  • CHRONOLOGY (page 657)
  • INDEX (page 663)
Reviews
Journal AbbreviationLabelURL
MLN 57.3 (Mar. 1942): 212-216 http://links.jstor.org/sici?sici=0149-6611%28194203%2957%3A3%3C212%3AARAAEI%3E2.0.CO%3B2-M
AL 13.4 (Jan. 1942): 432-435 http://links.jstor.org/sici?sici=0002-9831%28194201%2913%3A4%3C432%3AARAAEI%3E2.0.CO%3B2-9
JAAC 1.4 (Winter 1941-42): 88-91 http://links.jstor.org/sici?sici=0021-8529%28194124%2F194224%291%3A4%3C88%3AARAAEI%3E2.0.CO%3B2-6
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