Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Methods of art history tested against prehistory: session C74. Spiral and circular forms: the most common rock art in the world?: session C81. European cave art: session C85. Euro-Mediterranean rock art studies: session S02. Global state of the art: session S07. Current state of North American rock art: session WS37
Marc Groenen, Didier Martens, Jane Kolber, John Clegg, Alicia Distel, Kevin Sharpe, Jean Clottes, Mila Simões Abreu, Giriraj Kumar, Robert Bednarik, James Keyser, Mavis Greer, Claudia Fidalgo and Luiz Oosterbeek
You don't have access to this book. Please try to log in with your institution.
Log in
The complete title of BAR S2108 is 'Methods of art history tested against prehistory: session C74. Spiral and circular forms: the most common rock art in the world?: session C81. European cave art: session C85. Euro-Mediterranean rock art studies: session S02. Global state of the art: session S07. Current state of North American rock art: session WS37'. Proceedings of the XV UISPP World Congress (Lisbon, 4-9 September 2006), Vol. 35.
-
Front Cover
-
Title Page
-
Copyright
-
Table of Contents
-
LIST OF FIGURES
-
LIST OF TABLES
-
Session C74 METHODS OF ART HISTORY TESTEDAGAINST PREHISTORY
-
“LES MÉTHODES DE L’HISTOIRE DE L’ARTÀ L’ÉPREUVE DE LA PRÉHISTOIRE" INTRODUCTION
-
APPLICATION DE LA MÉTHODOLOGIE DE L’HISTOIREDE L’ART À L’ÉTUDE DE L’ART PALÉOLITHIQUE: L’ATTRIBUTION DES OEUVRES ANONYMES A SES AUTEURS
-
LES PEINTURES DE LA GROTTE DE LA PASIEGA A (PUENTE VIESGO, CANTABRIE) – À L’ÉPREUVE DE LA MÉTHODE DE L’ATTRIBUTION
-
THE RECOGNITION OF DIVERSITY THROUGH STYLE IN THE SAHARAN ROCK-ART RESEARCH: AN HISTORIOGRAPHIC APPROACH FROM THE WESTERN SAHARA
-
THE ROCK ART OF SOUTH-MOROCCO REVISITED: ON SURPRISING STYLISTIC AND THEMATIC CHARACTERISTICS OF THE SO-CALLED “PSEUDO-BOVIDIEN” AND “TAZINIEN” ROCK ART FROM THE MID VALLEY OF WADI DRAA
-
Session C81 SPIRALS AND CIRCULAR FORMS: THE MOST COMMON ROCK ART ELEMENTS IN THE WORLD?
-
ESPIRALES EN HUMAHUACA Y EN EL NOROESTE DE ARGENTINA (SUDAMÉRICA)
-
SPIRALS AT STURT’S MEADOWS
-
CIRCULAR ELEMENTS IN THE ROCK ART OF THE STATE OF BAHIA, BRAZIL
-
SPIRALS OF THE PREHISTORIC OPEN ROCK PAINTING FROM KOSOVA
-
Session C85 EUROPEAN CAVE ART
-
TO BE OR NOT TO BE PALAEOLITHIC, THAT IS THE QUESTION
-
THE MARGOT CAVE (MAYENNE): A NEW PALAEOLITHIC SANCTUARY IN WEST FRANCE
-
FLUTED ANIMALS IN THE ZONE OF CREVICES, GARGAS CAVE, FRANCE
-
Session SO2 EURO-MEDITERRANEAN ROCK ART STUDIES
-
SCHEMATIC PANEL WITH PALEOLITHIC PUNCTUATION AND OTHER QUESTIONS OF PALEOASTRONOMY AND PHILOSOPHY OF ANTIQUITY
-
EPIPALEOLITHIC AND MESOLITHIC BURIAL’S FROM 12000 TO 7000 BP IN LEVANTIN TERRITORY ART ROCK
-
GRAVURAS SERPENTIFORMES NA REGIÃO DE TRÁS-OS-MONTES
-
Session SO7 GLOBAL STATE OF THE ART
-
THE CAMERA OBSCURA AND THE ORIGIN OF ART: THE CASE FOR IMAGE PROJECTION IN THE PALEOLITHIC
-
ETUDE ET PRESENTATION DE L’ART RUPESTRE EN IRAN (EXEMPLE D’ETUDE DANS LES REGIONS DU PROVINCE CENTRAL ET KERMAN D’IRAN)
-
Session WS37 CURRENT STATE OF NORTH AMERICAN ROCK ART
-
ARCHEOLOGICAL USE OF CAVES ON THE NORTHWESTERN PLAINS, USA
-
MOGOLLON ROCK ART AND THE STATUS OF THE “FLUTE PLAYER”
-
THE FINDINGS OF THE PRESENCE OF THE SABRETOOTHED TIGER
Citable Link
Published: 2010
Publisher: BAR Publishing
- 9781407306490 (paperback)
- 9781407336466 (ebook)
BAR Number: S2108