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Berlioz, Roméo et Juliette
Julian Rushton
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Frontmatter
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List of abbreviations and acknowledgements (page ix)
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1 Introduction (page 1)
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2 The genesis of Roméo et Juliette (page 7)
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3 Berlioz, Shakespeare, and Garrick (page 15)
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4 Exordium: Introduction and Prologue; Roméo seul (page 21)
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5 The heart of the matter: Scène d'amour; La reine Mab (page 35)
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6 Tragedy and reconciliation: Convoi funèbre; Roméo au tombeau; Finale (page 47)
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7 A view from 1839 by Stephen Heller (page 60)
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8 Performance and reception: 1839 and beyond (page 70)
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9 Afterword: Roméo et Juliette as covert opera (page 80)
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Appendix 1
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(a) Berlioz's Preface (page 87)
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(b) Berlioz's note on Roméo au tombeau des Capulets (page 88)
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(c) Berlioz's observations on performance (page 88)
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(d) Berlioz on the 'genre instrumental expressif' (page 90)
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Appendix 2 Texts of:
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(a) Prologue (page 91)
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(b) Finale (page 95)
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(c) The discarded Second Prologue (page 100)
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Notes (page 102)
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Select bibliography (page 115)
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Index (page 118)
Journal Abbreviation | Label | URL |
---|---|---|
MT | 136.1825 (Mar. 1995): 155 | http://www.jstor.org/stable/1004009 |
Citable Link
Published: c1994
Publisher: Cambridge University Press
- 9781139085823 (ebook)
- 9780521373975 (hardcover)
- 9780521377676 (paper)