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  3. Only connect--: art and the spectator in the Italian Renaissance

Only connect--: art and the spectator in the Italian Renaissance

John K. G. Shearman
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  • Contents

  • Reviews

  • Cover
  • Frontmatter
  • LIST OF ILLUSTRATIONS (page ix)
  • INTRODUCTION (page 3)
  • I. A MORE ENGAGED SPECTATOR (page 10)
  • II. A SHARED SPACE (page 59)
  • III. PORTRAITS AND POETS (page 108)
  • IV. DOMES (page 149)
  • V. HISTORY, AND ENERGY (page 192)
  • VI. IMITATION, AND THE SLOW FUSE (page 227)
  • SOURCES OF ILLUSTRATIONS (page 263)
  • INDEX (page 265)
Reviews
Journal AbbreviationLabelURL
RQ 48.1 (Spring 1995): 192-194 http://www.jstor.org/stable/2863352
SCJ 23.4 (Winter 1992): 802-803 http://www.jstor.org/stable/2541736
AB 76.2 (June 1994): 364-367 http://www.jstor.org/stable/3046028
AHSS 48.6 (Nov.-Dec. 1993): 1625-1628 http://www.jstor.org/stable/27584584
AHR 99.3 (June 1994): 933-934 http://www.jstor.org/stable/2167869
BM 135.1086 (Sep. 1993): 639-640 http://www.jstor.org/stable/885868
JIH 25.2 (Autumn 1994): 310-311 http://www.jstor.org/stable/206363
Citable Link
Published: c1992
Publisher: Princeton University Press
ISBN(s)
  • 9780691200774 (ebook)
  • 9780691099729 (hardcover)
  • 9780691019178 (paper)
Subject
  • Art History
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