Stefan Wolpe and the avant-garde diaspora

Table of Contents

• Frontmatter
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• List of illustrations and musical examples (page ix)
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• Acknowledgments (page xi)
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• Introduction: Toward a historiography of modernism in migration (page 1)
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  • Modernism, migration, and Wolpe (page 1)
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  • Retheorizing musical modernism (page 8)
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  • Beyond national frameworks and studies of exile and assimilation (page 12)
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  • Migrant cosmopolitanism (page 22)
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  • On the interpretation of modernist works (page 31)
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• 1 Wolpe's Self-Revelatory Poetics and Critical Reflections, Circa 1951 (page 38)
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  • "The real clarification and real-true solution of human particularities" (page 38)
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  • "Held In" (page 40)
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  • Form and broken form (page 47)
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  • "The un-losable friendship of human recognition" (page 55)
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  • Wolpe's self-revelation and self-narration (page 64)
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• 2 Weimar-Era Montage and Avant-Garde Community (page 76)
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  • Part 1: At the Bauhaus (page 76)
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  • "What would we be in a position to do without school?" (page 76)
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  • Montage: the ethics of estrangement, formalization, and reclamation (page 88)
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  • Part 2: After the Bauhaus (page 104)
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  • Zeus und Elida (page 105)
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  • Shock and experimental form (page 130)
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• 3 "Amalgamated" Musics and National Visions in 1930s Palestine (page 140)
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  • "Amalgamated" idioms and Mandate-era politics (page 140)
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  • Wolpe's political position in Palestine (page 145)
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  • Wolpe's "full concern" and pedagogical presence (page 158)
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  • "If it be my fate..." (page 169)
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  • The "dream-panorama" of Jewish music (page 183)
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  • "But only if it existed: the most spiritual community" (page 193)
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• 4 The Mid-Century Poetics and Politics of Experimental Community (page 202)
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  • The Oboe Quartet: community life and memory (page 202)
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  • Resisting the "holes of oblivion": Wolpe, Arendt, and human plurality (page 212)
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  • Tranforming "things" into "beings": Wolpe, Blücher, and "organic modes" (page 222)
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  • Wolpe's mid-century communities in profile (page 230)
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  • Heterotopia (page 263)
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• Epilogue: The Witnessing Memory (page 267)
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  • No direction home (page 267)
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  • The self-narrator's belonging (page 275)
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  • Haunted objects (page 284)
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  • The "discontinuum" of testament (page 295)
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  • Interpretive communities and publics (page 301)
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• Select Bibliography (page 304)
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• Index (page 322)
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