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  2. Grounds for play: the Nauṭaṅkī theatre of North India

Grounds for play: the Nauṭaṅkī theatre of North India

Kathryn Hansen 2014 © University of California Press
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Series
  • ACLS Fellows’ Publications
ISBN(s)
  • 9780520072732 (hardcover)
  • 9780520910881 (ebook)
Subject
  • Asian: South and Southeast
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  • Table of Contents

  • Resources

  • Reviews

  • Related Titles

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  • Cover
  • Title Page
  • Copyright and Permissions
  • List of Illustrations
  • List of Audio Clips
  • Dedication
  • Epigraph
  • Acknowledgments
  • Note on Transliteration
  • Preface to the Electronic Edition, 2014
  • Introduction
  • Chapter One The Name of the Nauṭaṅkī
    • First Meeting
    • Alternative Etymologies
    • The Journey
    • Renu's Actress
    • Clash and Conquest
    • Gender and Genre in Nauṭaṅkī shāhzādī
  • Chapter Two Situating an Intermediary Theatre
    • Bharata's Origin Myth
    • Boundaries of Language, Region, and Religion
    • Urban-Rural Cultural Flows
    • Parameters of the Folk and the Classical
    • Folk Theatre as a Genre of Folklore
  • Chapter Three The Landscape of Premodern Performance
    • [No head in print version]
    • Devotional Drama in Hindi
    • Early References to Svāṅg
    • Khyāl Theatre of Rajasthan
    • Lāvanī Poetry and the Turrā-Kalagī Akhāṛās
    • Nath Yogis and Narrative Folklore
    • Court Theatre and the Indarsabhā
    • Urban Theatre and the Parsi Stage
  • Chapter Four Authors, Akhāṛās, and Texts
    • [No head in print version]
    • The Sources of Sāṅgīt Texts: Old and New
    • Lithographed Sāṅgīts: 1866-1896
    • Natharam and the Indarman Akhāṛā of Hathras: 1892-1920
    • Other Hathras Akhāṛās
    • Extension of Nauṭaṅkī to Kanpur: 1910-1930
    • Shrikrishna Khatri Pahalvan
    • Recent Developments
    • Perspectives on Change
  • Chapter Five Kings, Warriors, and Bandits
    • [No head in print version]
    • Kings Who Abandon Their Thrones
    • Honor, Loyalty, and the Warrior's Code
    • Attitudes toward British Rule
    • Dacoit Heroes: Serving the Poor
  • Chapter Six Paradigms of Pure Love
    • [No head in print version]
    • The Paradigm of Pure Love
    • The Lover as Renunciant
    • Love across Boundaries of Caste and Class
    • Relations between Communities: Hindu and Muslim
  • Chapter Seven Women's Lives and Deaths
    • [No head in print version]
    • The Dangers of Female Desire
    • Family, Chastity, and the Limits of Loyalty
    • The Vīrāṅganā and the Legitimation of Female Agency
    • Widows, Unwed Mothers, and Working Women
  • Chapter Eight Melody, Meter, and the Musical Medium
    • [No head in print version]
    • Music for the Outdoor Stage
    • Metrical Patterns and Melodic Contours
    • From Competition to Commodity
  • Chapter Nine Conclusion
  • Epilogue
  • Appendices
    • Appendix A Motif Analysis of Sāṅgīt Nauṭaṅkī shāhzādī by Natharam
    • Appendix B Khyāl Literature in British Collections
    • Appendix C Sāṅgīt Literature in British Collections
    • Appendix D Hansen Collection of Contemporary Sāṅgīts
    • Appendix E Nauṭaṅkī Performances
    • Appendix F Translation and Transcription of Indal haraṇ: The Kidnapping of Indal
    • Appendix G A Brief History of Meters in Svāṅg and Nauṭaṅkī
  • Notes
    • Introduction
    • Chapter One
    • Chapter Two
    • Chapter Three
    • Chapter Four
    • Chapter Five
    • Chapter Six
    • Chapter Seven
    • Chapter Eight
    • Chapter Nine
    • Epilogue
  • Bibliography
    • English Sources
    • Hindi Sources
    • Urdu Sources

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Fig. 1.

Fig. 1.

Fig. 1.

audio recording

audio recording

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selection

Portrait of Gulab Bai, Nauṭaṅkī actress of Kanpur. By permission of the Sangeet Natak Akademi.

Portrait of Gulab Bai, Nauṭaṅkī actress of Kanpur. By permission of the Sangeet Natak Akademi.

Fig. 2. Portrait of Gulab Bai, Nauṭaṅkī actress of Kanpur. By permission of the Sangeet Natak Akademi.

audio recording

audio recording

selections

selections

selections

Title page of Sāṅgīt rānī nauṭaṅkī kā by Khushi Ram (Banaras, 1882). By permission of the British Library.

Title page of Sāṅgīt rānī nauṭaṅkī kā by Khushi Ram (Banaras, 1882). By permission of the British Library.

Fig. 3. Title page of Sāṅgīt rānī nauṭaṅkī kā by Khushi Ram (Banaras, 1882). By permission of the British Library.

3 Title page of Sāṅgīt rānī nauṭaṅkī kā by Khushi Ram (Banaras, 1882). By permission of the British Library.

Title page of Sāṅgīt rānī nauṭaṅkī kā by Khushi Ram (Banaras, 1882). By permission of the British Library.

3

here

here

selection

selection

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Title page of Sāṅgīt Nauṭaṅkī featuring portrait of the author, Chiranjilal (Mathura, 1922). By permission of the British Library.

Title page of Sāṅgīt Nauṭaṅkī featuring portrait of the author, Chiranjilal (Mathura, 1922). By permission of the British Library.

Fig. 4. Title page of Sāṅgīt Nauṭaṅkī featuring portrait of the author, Chiranjilal (Mathura, 1922). By permission of the British Library.

4 Title page of Sāṅgīt Nauṭaṅkī featuring portrait of the author, Chiranjilal (Mathura, 1922). By permission of the British Library.

Title page of Sāṅgīt Nauṭaṅkī featuring portrait of the author, Chiranjilal (Mathura, 1922). By permission of the British Library.

4

here

here

original verses

original verses

original verses

Dancing girl performing in Sultānā ḍākū. By permission of the Sangeet Natak Akademi.

Dancing girl performing in Sultānā ḍākū. By permission of the Sangeet Natak Akademi.

Fig. 5. Dancing girl performing in Sultānā ḍākū. By permission of the Sangeet Natak Akademi.

here

here

selection

selection

selection

Title page of Prahlād sāṅgīt by Lakshman Singh (Delhi, 1866). By permission of the British Library.

Title page of Prahlād sāṅgīt by Lakshman Singh (Delhi, 1866). By permission of the British Library.

Fig. 6. Title page of Prahlād sāṅgīt by Lakshman Singh (Delhi, 1866). By permission of the British Library.

6 Title page of Prahlād sāṅgīt by Lakshman Singh (Delhi, 1866). By permission of the British Library.

Title page of Prahlād sāṅgīt by Lakshman Singh (Delhi, 1866). By permission of the British Library.

6

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here

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Reviews
Journal AbbreviationLabelURL
ETMU 39.2 (Spring - Summer 1995): 282-285 http://www.jstor.org/stable/924432
JAS 52.1 (Feb. 1993): 185-186 http://www.jstor.org/stable/2059197
AFS 54.1 (1995): 162-163 http://www.jstor.org/stable/1178242
ATJ 10.2 (Autumn 1993): 221-225 http://www.jstor.org/stable/1124184
ASM 25.1/2 (1993-1994): 247-252 http://www.jstor.org/stable/834208
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Oral Epics in India. Blackburn, Stuart. Berkeley: University of California Press, 1989.
India's Literary History: Essays on the 19th Century. Blackburn, Stuart, and Vasudha Dalmia. Delhi: Permanent Black, 2004.
heb32105.0001.001 Culture and Power in Banaras: Community, Performance, and Environment, 1800-1980. Freitag (ed.), Sandria B. Berkeley: University of California Press, 1989.
Cassette Culture: Popular Music and Technology in North India. Manuel, Peter. Chicago: University of Chicago Press, 1993.
Gulab Bai: The Queen of Nautanki Theatre. Mehrotra, Deepti. New Delhi: Penguin India, 2006.
heb31436.0001.001 The Social Space of Language: Vernacular Culture in British Colonial Punjab. Mir, Farina. Berkeley: University of California Press, 2010.
Illicit Worlds of Indian Dance. Morcom, Anna. London: C. Hurst & Co. Publishers Ltd., 2013.
Love in South Asia: A Cultural History. Orsini, Francesca. New York: Cambridge University Press, 2006.
Marvelous Encounters: Folk Romance in Urdu and Hindi. Pritchett, Frances W. The Riverdale Company, 1985.
heb09217.0001.001 Stigmas of the Tamil Stage: An Ethnography of Special Drama Artists in South India. Seizer, Susan. Durham: Duke University Press, 2004.
Unfinished Gestures: Devadasis, Memory, and Modernity in South India. Soneji, Davesh. Chicago: University of Chicago Press, 2011.
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