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Capturing sound: how technology has changed music
Mark Katz
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Frontmatter
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List of Illustrations (page xi)
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Acknowledgments (page xiii)
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Introduction (page 1)
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1. CAUSES (page 10)
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2. MAKING AMERICA MORE MUSICAL: The Phonograph and "Good Music" (page 56)
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3. CAPTURING JAZZ (page 80)
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4. AESTHETICS OUT OF EXIGENCY: Violin Vibrato and the Phonograph (page 94)
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5. THE RISE AND FALL OF GRAMMOPHONMUSIK (page 109)
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6. THE TURNTABLE AS WEAPON: Understanding the Hip-Hop DJ Battle (page 124)
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7. MUSIC IN 1s AND 0s: The Art and Politics of Digital Sampling (page 146)
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8. LISTENING IN CYBERSPACE (page 177)
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Conclusion (page 211)
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Notes (page 223)
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Bibliography (page 271)
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List of Supplementary Web Materials (page 305)
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Index (page 307)
Journal Abbreviation | Label | URL |
---|---|---|
TC | 46.2 (Apr. 2995): 429-430 | https://muse.jhu.edu/article/184324 |
NOT | 62.3 (Mar. 2006): 732-734 | https://muse.jhu.edu/article/195515 |
ML | 88.3 (Aug. 2007): 539-542 | https://muse.jhu.edu/article/233649 |
MEJ | 92.1 (Sep. 2005): 28-29 | http://www.jstor.org/stable/3400222 |
JAAC | 64.3 (Summer. 2006): 389-392 | http://www.jstor.org/stable/3700574 |
Citable Link
Published: c2010
Publisher: University of California Press
- 9780520947351 (ebook)
- 9780520261051 (paper)