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Listening in Paris: A Cultural History
James H. Johnson
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Frontmatter (page N/A)
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Illustrations (page xi)
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List of Musical Examples (page xiii)
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Acknowledgments (page xv)
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Introduction (page 1)
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1. The Rendezvous of the Rich (page 7)
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1. Opera as Social Duty (page 9)
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2. Expression as Imitation (page 35)
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2. A Sensitive Public (page 51)
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3. Tears and the New Attentiveness (page 53)
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4. Concerts in the Old Regime (page 71)
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5. Harmony's Passions and the Public (page 81)
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3. The Exaltation of the Masses (page 97)
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6. Entertainment and the Revolution (page 99)
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7. Musical Experience of the Terror (page 116)
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8. Musical Expression and Jacobin Ideology (page 137)
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Epilogue to Part Three: Thermidor and the Return of Entertainment (page 155)
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4. Respectability and the Bourgeoisie (page 163)
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9 Napoleon's Show (page 165)
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10. The Theatre Italien and Its Elites (page 182)
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11. The Birth of Public Concerts (page 197)
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12. In Search of Harmony's Sentiments (page 206)
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13. The Social Roots of Silence (page 228)
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5. The Musical Experience of Romanticism (page 237)
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14. Operatic Rebirth and the Return of Grandeur (page 239)
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15. Beethoven Triumphant (page 257)
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16. The Musical Experience of Romanticism (page 270)
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Afterword (page 281)
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Notes (page 287)
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Bibliography (page 349)
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Index (page 379)
Journal Abbreviation | Label | URL |
---|---|---|
JMH | 68.1 (Mar. 1996): 193-195 | http://links.jstor.org/sici?sici=0022-2801%28199603%2968%3A1%3C193%3A%3E2.0.CO%3B2-W |
CS | 24.5 (Sep. 1995): 692-693 | http://links.jstor.org/sici?sici=0094-3061%28199509%2924%3A5%3C692%3A%3E2.0.CO%3B2-%23 |
Citable Link
Published: c1995
Publisher: University of California Press
- 9780520085640 (hardcover)
- 9780520206489 (paper)
- 9780520918238 (ebook)