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Classical form: a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven
William Earl Caplin
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Frontmatter
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Introduction
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Part I Preliminaries
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1 Some Basic Formal Functions: An Overview (page 9)
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2 Fundamental Progressions of Harmony (page 23)
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Part II Tight-Knit Themes
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3 Sentence (page 35)
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4 Period (page 49)
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5 Hybrid Themes and Compound Themes (page 59)
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6 Small Ternary (page 71)
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7 Small Binary (page 87)
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Part III Looser Formal Regions
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8 Subordinate Theme (page 97)
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9 Transition (page 125)
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10 Development (page 139)
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11 Recapitulation (page 161)
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12 Coda (page 179)
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Part IV Full-Movement Forms
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13 Sonata Form (page 195)
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14 Slow-Movement Forms (page 209)
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15 Minuet/Trio Form (page 219)
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16 Rondo Forms (page 231)
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17 Concerto Form (page 243)
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Glossary of Terms (page 253)
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Notes (page 259)
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Bibliography (page 289)
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Index of Classical Compositions (page 293)
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General Index (page 298)
Journal Abbreviation | Label | URL |
---|---|---|
MTS | 22.1 (Spring 2000): 122-125 | http://www.jstor.org/stable/745856 |
MusA | 20.1 (Mar. 2001): 143-149 | http://www.jstor.org/stable/854399 |
MAL | 81.1 (Feb. 2000): 110-115 | http://www.jstor.org/stable/855332 |
INT | 13 (1999): 143-200 | http://www.jstor.org/stable/40213995 |
NOT | 57. 1 (Sep. 2000): 101-103 | http://www.jstor.org/stable/899775 |
Citable Link
Published: c1998
Publisher: Oxford University Press
- 9780195104806 (hardcover)
- 9780199881758 (ebook)
- 9780195143997 (paper)