We all have an animal story—the pet we loved, the wild animal that captured our childhood imagination, the deer the neighbor hit while driving. While scientific breakthroughs in animal cognition, the effects of global climate change and dwindling animal habitats, and the exploding interdisciplinary field of animal studies have complicated things, such stories remain a part of how we tell the story of being human. Animal Acts collects eleven exciting, provocative, and moving stories by solo performers, accompanied by commentary that places the works in a broader context.
Work by leading theater artists Holly Hughes, Rachel Rosenthal, Deke Weaver, Carmelita Tropicana, and others joins commentary by major scholars including Donna Haraway, Jane Desmond, Jill Dolan, and Nigel Rothfels. Una Chaudhuri's introduction provides a vital foundation for understanding and appreciating the intersection of animal studies and performance. The anthology foregrounds questions of race, gender, sexuality, class, nation, and other issues central to the human project within the discourse of the "post human," and will appeal to readers interested in solo performance, animal studies, gender studies, performance studies, and environmental studies.
From No Bees for Bridgeport: A Fable from the Age of Daley by Kestutis Nakas, Commentary by Joshua Takano Chambers-Letson: A New Fable of the Bees
Written, directed, and performed by Kestutis Nakas [excerpt from the full performance]. No Bees For Bridgeport is included in the anthology, Animal Acts: Performing Species Now, edited by Una Chaudhuri and Holly Hughes and published by University of Michigan Press. Performances staged at the University of Michigan's Duderstadt Media Center, March 21-23, 2013.
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