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  3. Portals: A Treatise on Internet-Distributed Television

Portals: A Treatise on Internet-Distributed Television

Amanda D. Lotz
Open Access Open Access
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  • Overview

  • Contents

Television audiences and its industry alike have been confused by the emergence of new ways to watch television. On one hand, the programs seem every bit like the television we’ve long known, while the way we can watch, what we can watch, and the business models supporting them differ significantly.

Portals: A Treatise on Internet-Distributed Television pushes understandings of the business of television to keep pace with the considerable technological change of the last decade. It explains why shows such as Orange is the New Black or Transparent are indeed television despite coming to screens over internet connection and in exchange for a monthly fee. It explores how internet-distributed television is able to do new things – particularly, allow different people to watch different shows chosen from a library of possibilities. This technological ability allows new audience behaviors and new norms in making television.

Portals are the “channels” of internet-distributed television, and Portals identifies how the task of curating a library of shows differs from channels’ task of building a schedule. It explores the business model—subscriber funding—that supports many portals, and identifies the key differences from advertiser or direct purchase. Portals considers what we know about the future of television, even though we remain early in a process of transformative change.

  • Cover
  • Title
  • Copyright
  • Contents
  • Preface
  • Introduction
    • What Is Internet-Distributed Television?
      • Other Types of Internet-Distributed Television
    • Understanding Internet-Distributed Television
  • 1 Theorizing the Nonlinear Distinction of Internet-Distributed Television
    • Theorizing Nonlinear Television
    • Nonlinear Television as Characteristic of the Publishing Model?
    • How Does Nonlinear Curation Differ from Linear Scheduling?
  • 2 A Model For the Production Of Culture: The Subscriber Model
    • A Subscriber Model of Cultural Production
      • General Characteristics
      • Central Function
      • Economic Organization
      • Creative Professions
      • Income
      • Market Characteristics
      • Key Strategies
    • Implications of Subscriber-Funded Portals
      • In What Ways Are Subscriber-Funded Portals “Good” and “Bad” for Audiences?
      • In What Ways Are Subscriber-Funded Portals “Good” and “Bad” for Creatives?
      • Do Subscriber-Funded Portals Enable the Creation of Commercial Video Otherwise Impossible?
      • How Do Portal Strategies Constitute Cultures and Subcultures?
    • Conclusion
  • 3 Strategies of Internet-Distributed Television: Vertical Integration and the Studio Portal
    • Shifts in Funding and Competitive Strategies before Internet-Distributed Television
    • Vertical Integration in Internet-Distributed Television
  • Conclusion: Looking Outside Television
  • Notes
  • Index
Citable Link
Published: 2017
Publisher: Michigan Publishing, University of Michigan Library
Copyright: 2017
License: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license
ISBN(s)
  • 978-1-60785-401-2 (ebook)
  • 978-1-60785-400-5 (paper)
Series
  • Maize Books
Subject
  • COMPUTERS / Computerized Home & Entertainment
  • BUSINESS & ECONOMICS / Industries/Media & Communications
  • TECHNOLOGY & ENGINEERING / Television & Video
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