Skip to main content
ACLS Humanities E-Book
Fulcrum logo

Share the story of what Open Access means to you

a graphic of a lock that is open, the universal logo for open access

University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.

  1. Home
  2. Music and culture in Italy from the Middle Ages to the Baroque: a collection of essays

Music and culture in Italy from the Middle Ages to the Baroque: a collection of essays

Nino Pirrotta 1984 © The President and Fellows of Harvard College
Restricted You do not have access to this book. How to get access.
Read Book
ISBN(s)
  • 9780674591080 (paper)
  • 9780674863620 (ebook)
Subject
  • Music & Musicology
Citable Link
  • Table of Contents

  • Reviews

  • Stats

  • Frontmatter
  • 1 Musica de sono humano and the Musical Poetic of Guido of Arezzo (page 1)
  • 2 Dante Musicus: Gothicism, Scholasticism, and Music (page 13)
  • 3 Ars Nova and Stil Novo (page 26)
  • 4 Polyphonic Music for a Text Attributed to Frederick II (page 39)
  • 5 New Glimpses of an Unwritten Tradition (page 51)
  • 6 The Oral and Written Traditions of Music (page 72)
  • 7 Music and Cultural Tendencies in Fifteenth-Century Italy (page 80)
  • 8 Church Polyphony Apropos of a New Fragment at Foligno (page 113)
  • 9 Zacara da Teramo (page 126)
  • 10 Ricercare and Variations on O Rosa Bella (page 145)
  • 11 Novelty and Renewal in Italy: 1300-1600 (page 159)
  • 12 Willaert and the Canzone Villanesca (page 175)
  • 13 Notes on Marenzio and Tasso (page 198)
  • 14 The Orchestra and Stage in Renaissance Intermedi and Early Opera (page 210)
  • 15 Temperaments and Tendencies in the Florentine Camerata (page 217)
  • 16 Monteverdi and the Problems of Opera (page 235)
  • 17 Theater, Sets, and Music in Monteverdi's Operas (page 254)
  • 18 Monteverdi's Poetic Choices (page 271)
  • 19 Early Venetian Libretti at Los Angeles (page 317)
  • 20 The Lame Horse and the Coachman: News of the Operatic Parnassus in 1642 (page 325)
  • 21 Falsirena and the Earliest Cavatina (page 335)
  • 22 Commedia dell'Arte and Opera (page 343)
  • Notes (page 363)
  • Index (page 471)
Reviews
Journal AbbreviationLabelURL
MAL 66.4 (Oct. 1985): 394-399 http://www.jstor.org/stable/855154
EMH 5 (1985): 269-274 http://www.jstor.org/stable/853925
SCJ 16.1 (Spring 1985): 155-156 http://www.jstor.org/stable/2540951
JAMS 39.2 (Summer 1986): 389-395 http://www.jstor.org/stable/831536
RQ 38.3 (Autumn 1985): 529-532 http://www.jstor.org/stable/2861090
MQ 70.4 (Autumn 1984): 567-572 http://www.jstor.org/stable/741897
NOT 42.2 (Dec. 1985): 281-283 http://www.jstor.org/stable/897424
550 views since June 30, 2018
ACLS Humanities E-Book logo

ACLS Humanities E-Book

  • About HEB
  • Contact HEB
  • For Librarians
  • Subscriptions

Powered by Fulcrum logo

  • About
  • Blog
  • Feedback
  • Contact
  • Contribute
  • Accessibility
  • Preservation
  • Privacy
  • Terms of Service
  • Log In
© ACLS Humanities E-Book 2020
x This site requires cookies to function correctly.