Skip to main content
Lever PressLever Press
  • About
  • Books
  • Series
  • Publish With Us
  • Join Us
  • Impact
  • News
  • Events

Share the story of what Open Access means to you

a graphic of a lock that is open, the universal logo for open access

University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.

  1. Home
  2. Books
  3. Open Access Musicology, Volume One

Open Access Musicology, Volume One

Louis Epstein and Daniel Barolsky 2020 Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license © Louis Epstein and Daniel Barolsky
Open Access Open Access
This volume collects exciting new work in musicology.

Contents:

Cracking the Code: What Notation Can Tell Us About Our Musical Values by S. Andrew Granade
Ancient Mesopotamian Music, the Politics of Reconstruction, and Extreme Early Music by Samuel Dorf
An Intermedia Approach to Seventeenth-Century English Popular Song Culture by Sarah F. Williams
Instrumental Music in Early Seventeenth-Century Italy: Instruments as Vehicles of Discovery by Rebecca Cypess
MacDowell’s Vanishing Indians by Dan Blim
Jenny Lind and the Making of Mainstream American Popular Music by Julia Chybowski
Listening to Music History by Nathan C. Bakkum

Read Book Buy Book
Series
  • Open Access Musicology
ISBN(s)
  • 978-1-64315-022-2 (open access)
  • 978-1-64315-021-5 (paper)
Subject
  • Music / Essays
Citable Link

  • Table of Contents

  • Resources

  • Stats

  • Cover
  • Title Page
  • Copyright Page
  • Contents
  • Member Institution Acknowledgments
  • Cracking the Code: What Notation Can Tell Us About Our Musical Values by S. Andrew Granade
  • Ancient Mesopotamian Music, the Politics of Reconstruction, and Extreme Early Music by Samuel Dorf
  • An Intermedia Approach to Seventeenth-Century English Popular Song Culture by Sarah F. Williams
  • Instrumental Music in Early Seventeenth-Century Italy: Instruments as Vehicles of Discovery by Rebecca Cypess
  • MacDowell’s Vanishing Indians by Dan Blim
  • Jenny Lind and the Making of Mainstream American Popular Music by Julia Chybowski
  • Listening to Music History by Nathan C. Bakkum

Search and Filter Resources

Filter search results by

Format

  • audio11
  • PDF6
  • image5

Search Constraints

« Previous | 1 - 20 of 22 | Next »
  • First Appearance
  • Section (Earliest First)
  • Section (Last First)
  • Format (A-Z)
  • Format (Z-A)
  • Year (Oldest First)
  • Year (Newest First)
Number of results to display per page
  • 10 per page
  • 20 per page
  • 50 per page
  • 100 per page
View results as:
List Gallery

Search Results

A score for Edward MacDowell's "From an Indian Lodge" for piano.

Blim, Example 1: From an Indian Lodge

Example 1. Edward MacDowell, “From an Indian Lodge”

Two single-stave transcriptions of Native American melodies. The first contains lyrics, but no bar lines or meters. The second does not contain lyrics, but does contain bar lines and a 3/4 meter.

Blim, Example 2: Transcriptions by Theodore Baker

Example 2. Melodies from Theodore Baker quoted in “From an Indian Lodge”.

A score for Edward MacDowell's "Indian Idyl" for piano.

Blim, Example 3: Indian Idyl

Example 3. Edward MacDowell, "Indian Idyl"

Blim, Example 4: New England Idyls Cover

Example 4. Cover of Edward MacDowell, New England Idyls.

Cypess, Figure 1: Hieronymous Francken the Younger and Jan Brueghel the Elder, The Archdukes Albert and Isabella Visiting a Collector’s Cabinet

Figure 1. Hieronymous Francken the Younger and Jan Brueghel the Elder, The Archdukes Albert and Isabella Visiting a Collector’s Cabinet, oil on panel, 0.94 m. x 1.233 m., 1621–1623, the Walters Art Museum.


 Open external resource at https://www.youtube.com

Blim, Audio 1: From an Indian Lodge

Woodland Sketches, Op. 51: No. 5: From an Indian Lodge


 Open external resource at https://www.youtube.com

Blim, Audio 3: Indian Idyl

New England Idyls, Op. 62: No. 6: Indian Idyl


 Open external resource at http://ks4.imslp.info

Cypess, Example 1: Giovanni Gabrieli, “Canzon septimi toni a 8,” ch. 172, from Sacrae symphoniae (1597) (PDF)

Example 1. Giovanni Gabrieli, “Canzon septimi toni a 8,” ch. 172, from Sacrae symphoniae (1597).


 Open external resource at https://www.youtube.com

Cypess, Audio 1: Audio Recording of “Canzon septimi toni a 8,” ch. 172, from Sacrae symphoniae (1597)

Audio 1. “Canzon septimi toni a 8,” ch. 172, from Sacrae symphoniae (1597), recorded live by the Green Mountain Project in 2012.


 Open external resource at https://www.youtube.com

Cypess, Example 2 and Audio 2: Audio Recording of B. Marini, "La Foscarina", mm. 71-80

Audio 2. Biagio Marini, “La Foscarina,” from Affetti musicali, from Echoes from Venice by the ensemble Corde (1999).


 Open external resource at http://ks.imslp.net

Cypess, Example 3: Biagio Marini, “Sonata quarta per il violino per sonar con due corde”

Example 3. Biagio Marini, “Sonata quarta per il violino per sonar con due corde,” from Sonate, symphonie, canzoni, pass’emezzi, baletti, corenti, gagliarde, & retornelli.


 Open external resource at https://www.youtube.com

Cypess, Audio 3: Audio recording of Biagio Marini, "Sonata quarta per il violino per sonar con due corde”

Audio 3. James Woodrow, baroque violin, and Mattia Corda, theorbo, recording of Biagio Marini, "Sonata quarta per il violino per sonar con due corde”.


 Open external resource at http://ks.imslp.net

Cypess, Example 4: Score of Biagio Marini, “Capriccio per sonare il violino con tre corde a modo di lira,” from Sonate, symphonie, canzoni, pass’emezzi, baletti, corenti, gagliarde, & retornelli (PDF)

Example 4. Biagio Marini, “Capriccio per sonare il violino con tre corde a modo di lira,” from Sonate, symphonie, canzoni, pass’emezzi, baletti, corenti, gagliarde, & retornelli.


 Open external resource at https://www.youtube.com

Cypess, Audio 4: Audio Recording of Biagio Marini, “Capriccio per sonare il violino con tre corde a modo di lira,” from Sonate, symphonie, canzoni, pass’emezzi, baletti, corenti, gagliarde, & retornelli

Audio 4. Monica Huggett, Galatea, Paul Beier, recording of Marini, “Capriccio per sonare il violino con tre corde a modo di lira”.


 Open external resource at http://conquest.imslp.info

Cypess, Example 5: Score of Biagio Marini, “Sonata in ecco con tre violini,” Sonate, symphonie, canzoni, pass’emezzi, baletti, corenti, gagliarde, & retornelli (PDF)

Example 5. Biagio Marini, “Sonata in ecco con tre violini,” Sonate, symphonie, canzoni, pass’emezzi, baletti, corenti, gagliarde, & retornelli.


 Open external resource at https://www.youtube.com

Cypess, Audio 5: Audio Recording of Biagio Marini, “Sonata in ecco con tre violini,” Sonate, symphonie, canzoni, pass’emezzi, baletti, corenti, gagliarde, & retornelli

Audio 5. Monica Huggett, Galatea, Paul Beier, recording of Marini, “Sonata in eco".


 Open external resource at https://www.youtube.com

Cypess, Audio 6: Audio Recording of Ensemble Clematis, recording of Carlo Farina, “Capriccio stravagante”

Audio 6. Ensemble Clematis, recording of Carlo Farina, “Capriccio stravagante”.


 Open external resource at https://www.youtube.com

Cypess, Audio 7: Audio Recording of Les Sacqueboutiers de Toulouse, recording of Dario Castello, Sonata 17 from Sonate concertate in stil moderno, book 2

Audio 7. Les Sacqueboutiers de Toulouse, recording of Dario Castello, Sonata 17 from Sonate concertate in stil moderno, book 2.


 Open external resource at http://ks.imslp.net

Cypess, Example 8: Score of Claudio Merulo, Toccata 4 from Toccate d’intavolatura d’organo…libro secondo (PDF)

Example 8. Claudio Merulo, Toccata 4 from Toccate d’intavolatura d’organo…libro secondo (1604).


 Open external resource at https://www.youtube.com

Cypess, Audio 8: Audio Recording of Claudio Merulo, Toccata 4 from Toccate d’intavolatura d’organo…libro secondo

Audio 8. M. Raschietti, recording of Claudio Merulo, "Toccata 4" (1604).

  • « Previous
  • Next »
  • 1
  • 2
2,433 views since October 23, 2020
Lever PressAmherst, MAinfo@leverpress.org

FacebookTwitter

Our Partners
  • Amherst College Press
  • Oberlin Group
  • Michigan Publishing
Peer Review
  • Our Commitments and Guidelines
© 2020 Creative Commons Attribution Non-Commercial No Derivatives 4.0 International license · Accessibility · Preservation
Powered by Fulcrum logo · Log In
x This site requires cookies to function correctly.