Static and moving image drawings for The Glass House
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
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From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, static and moving image drawings for The Glass House (January 16, 1927–March 19, 1947). Russian State Archive of Literature and Art, f. 1923 op. 2 ed. khr. 162: 3.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, drawings of scenes viewed through transparent floors, The Glass House (January 16, 1927–March 19, 1947). Russian State Archive of Literature and Art, f. 1923 op. 2 ed. khr. 162: 50.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
P. Dementiev, mise-en-scène drawing (detail) for Puss in Boots, based on the play by Ludwig Tieck (December 1, 1921). Russian State Archive of Literature and Art, f. 963, op. 1, ed. khr. 1274: 9.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, stage designs for Gozzi’s The Snake Woman (February 26, 1918). From top to bottom: stage-within-a-stage, ground plan of the forestage, and forestage “attendants” pulling back the curtain. Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 698: 11.
From Chapter 2: Tairov-Celionati: Mime-Drama and Kaleidoscopic Commedia
Anatoly Arapov, mise-en-scène design for act 2 of Pierrette’s Veil, by Arthur Schnitzler, music by Ernő Dohnányi, directed by Alexander Tairov, Svobodny Theatre, Moscow (premiere: November 4, 1913). КП 190294/78. Copyright © A. A. Bakhrushin State Central Theatre Museum, Moscow.