Chauve-Souris souvenir program cover
From Introduction: Hoffmann’s Prism
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From Introduction: Hoffmann’s Prism
From Introduction: Hoffmann’s Prism and Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque and Epilogue: The Afterlife of a Death Jubilee
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
From Chapter 2: Tairov-Celionati: Mime-Drama and Kaleidoscopic Commedia and Epilogue: The Afterlife of a Death Jubilee
From Chapter 2: Tairov-Celionati: Mime-Drama and Kaleidoscopic Commedia
From Chapter 2: Tairov-Celionati: Mime-Drama and Kaleidoscopic Commedia
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction