Duel, drawing
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
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From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
Jacques Callot, Duel. Black chalk, 68 × 93 cm. France (n.d., c. 1600s). ОР-1190. Copyright © The State Hermitage Museum, Saint Petersburg.
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
Chronometrage report (n.d.) for Inspector General, based on the play by Nikolai Gogol, adapted by Vsevolod Meyerhold and Mikhail Korenev, directed by Vsevolod Meyerhold, Meyerhold Theatre (GosTIM), Moscow (premiere: December 9, 1926). Russian State Archive of Literature and Art, f. 963, op. 1, ed. khr. 513: 6.
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
Rehearsal for episode 1 of Inspector General, based on the play by Nikolai Gogol, adapted by Vsevolod Meyerhold and Mikhail Korenev, directed by Vsevolod Meyerhold, Meyerhold Theatre (GosTIM), Moscow (premiere: December 9, 1926). Photo by Alexei Temerin. КП 180170/1046. Copyright © A. A. Bakhrushin State Central Theatre Museum, Moscow.
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
Making the mannequins for the dumb show, Inspector General, based on the play by Nikolai Gogol, adapted by Vsevolod Meyerhold and Mikhail Korenev, directed by Vsevolod Meyerhold, Meyerhold Theatre (GosTIM), Moscow (premiere: December 9, 1926). Photo by Alexei Temerin. КП 180170/1056. Copyright © A. A. Bakhrushin State Central Theatre Museum, Moscow.
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
Posing for the mannequins for the dumb show, Inspector General, based on the play by Nikolai Gogol, adapted by Vsevolod Meyerhold and Mikhail Korenev, directed by Vsevolod Meyerhold, Meyerhold Theatre (GosTIM), Moscow (premiere: December 9, 1926). Photo by Alexei Temerin. КП 294580/246. Copyright © A. A. Bakhrushin State Central Theatre Museum, Moscow.
From Chapter 1: Meyerhold-Dapertutto: Framing the Grotesque
Audience response chart for The Forest, based on the play by Alexander Ostrovsky, directed by Vsevolod Meyerhold, Meyerhold Theatre (GosTIM) (premiere: January 19, 1924). Russian State Archive of Literature and Art, f. 963, op. 1, ed. khr. 362: 2.
From Chapter 2: Tairov-Celionati: Mime-Drama and Kaleidoscopic Commedia
Title page to Alisa Koonen’s annotated copy of the piano score for Pierette’s Veil, by Arthur Schnitzler, music by Ernő Dohnányi (1910). Russian State Archive of Literature and Art, f. 2328, op. 1, ed. khr. 311: 28.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Vsevolod Meyerhold (center) and Sergei Eisenstein (left) at rehearsals for The Prelude, by Yury German, directed by Vsevolod Meyerhold, Meyerhold Theatre (GosTIM) (premiere: January 28, 1933). КП 295518/108. Copyright © A. A. Bakhrushin State Central Theatre Museum, Moscow.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, simultaneous setting, inspired by medieval scene design conventions, for Comedy of the Black Goat, a play that Eisenstein penned as Peregrinus Tyss. (March–June 1920). Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 736: 12.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, costume design for Amusements on the Water and in a Field (c. 1917–18). “Harlequin’s entrance.” Signed “Sir Gay.” Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 698: 31
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, stage designs for Gozzi’s The Snake Woman (February 26, 1918). From top to bottom: stage-within-a-stage, ground plan of the forestage, and forestage “attendants” pulling back the curtain. Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 698: 11.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, scene design for Gozzi’s The Green Bird (c. 1917–19). Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 698: 28.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, scene design for Four Harlequins (c. 1917–1918). Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 698: 36.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, Costume design for Olimpia in Offenbach's Tales of Hoffmann (1921). Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 735: 14.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, scene design for act 2 of Offenbach’s Tales of Hoffmann (March 12, 1920). Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 735: 4.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, periaktoi for act 2 of Offenbach’s Tales of Hoffmann (1920). Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 735: 5.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, periaktoi configuration sketches for act 2 of Offenbach’s Tales of Hoffmann (1920). Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 735: 5 verso.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, costume design for act 2 of Offenbach's Tales of Hoffmann (September 17, 1921). Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 735: 10.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, costume design for act 2 of Offenbach's Tales of Hoffmann (1921). Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 735: 11.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, design sketch for Master Martin the Cooper and His Men, based on the tale by E. T. A. Hoffmann. Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 796: 6 verso.