E. T. A. Hoffmann, self-portrait
From Introduction: Hoffmann’s Prism
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
From Introduction: Hoffmann’s Prism
E. T. A. Hoffmann, self-portrait. Frontispiece to E. T. A. Hoffmann, Fantasy Pieces in Callot’s Manner: Pages from the Diary of a Traveling Romantic, 2nd edition. Bamberg, 1819. Oak Grove Library Center, call number: 833.6 H71f. Courtesy of Northwestern University Library. Photo by the author.
From Introduction: Hoffmann’s Prism
E. T. A. Hoffmann, Kapellmeister Johannes Kreisler in a Dressing Gown, After a Life Drawing by Erasmus Spikher (Berlin, January/February 1815). Original watercolor. Staatsbibliothek Bamberg, I R 65. Photo: Gerald Raab.
From Introduction: Hoffmann’s Prism
Title page for E. T. A. Hoffmann, Fantasy Pieces in Callot’s Manner: Pages from the Diary of a Traveling Enthusiast. Bamberg: C. F. Kunz, 1814. Staatsbibliothek Bamberg, L.g.o.1135/1. Photo: Gerald Raab.
From Introduction: Hoffmann’s Prism
Carl Friedrich Thiele, aquatint etching in sepia (Berlin, September 1820), after Jacques Callot’s Franca Trippa and Fritellino, from Balli di Sfessania (c. 1621). Staatsbibliothek Bamberg, Sel.235a. Photo: Gerald Raab.
From Chapter 2: Tairov-Celionati: Mime-Drama and Kaleidoscopic Commedia
Title page to Alisa Koonen’s annotated copy of the piano score for Pierette’s Veil, by Arthur Schnitzler, music by Ernő Dohnányi (1910). Russian State Archive of Literature and Art, f. 2328, op. 1, ed. khr. 311: 28.
From Chapter 2: Tairov-Celionati: Mime-Drama and Kaleidoscopic Commedia
Poster for the Kamerny’s 1923 tour in Germany, advertising performances for the week of April 7–23. КП 14598. Copyright © A. A. Bakhrushin State Central Theatre Museum, Moscow.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, scene design for act 2 of Offenbach’s Tales of Hoffmann (March 12, 1920). Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 735: 4.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, costume design for act 2 of Offenbach's Tales of Hoffmann (September 17, 1921). Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 735: 10.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, costume design for act 2 of Offenbach's Tales of Hoffmann (1921). Russian State Archive of Literature and Art, f. 1923, op. 1, ed. khr. 735: 11.