Photo of Meyerhold and Eisenstein at rehearsals for The Prelude
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Vsevolod Meyerhold (center) and Sergei Eisenstein (left) at rehearsals for The Prelude, by Yury German, directed by Vsevolod Meyerhold, Meyerhold Theatre (GosTIM) (premiere: January 28, 1933). КП 295518/108. Copyright © A. A. Bakhrushin State Central Theatre Museum, Moscow.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Photo portrait of Meyerhold in his study. КП 319555/2. Copyright © A. A. Bakhrushin State Central Theatre Museum, Moscow.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, static and moving image drawings for The Glass House (January 16, 1927–March 19, 1947). Russian State Archive of Literature and Art, f. 1923 op. 2 ed. khr. 162: 3.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, list of episode ideas for The Glass House (January 16, 1927–March 19, 1947). Russian State Archive of Literature and Art, f. 1923 op. 2 ed. khr. 162: 48.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, drawings of scenes viewed through transparent floors, The Glass House (January 16, 1927–March 19, 1947). Russian State Archive of Literature and Art, f. 1923 op. 2 ed. khr. 162: 50.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Yutkevich, portrait of Sergei Eisenstein (1926). Russian State Archive of Literature and Art, f. 3070, op. 1, ed. khr. 433: 1.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Film still of the Owl, one of four spies juxtaposed with animals in Eisenstein’s Strike (released April 1925).
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Yutkevich, Balance. Drawing of Fedor Knorre (in the air) and Evgeny Kumeiko (below) (1923). Russian State Archive of Literature and Art f. 3070 op. 1 ed. khr. 412: 1.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, mise-en-scène sketch for Sergei Tretiakov’s Enough Stupidity in Every Wiseman, based on the play by Alexander Ostrovsky, directed by Sergei Eisenstein, Proletkult First Workers’ Theatre (premiere: April–May 1923). Russian State Archive of Literature and Art, f. 1923 op. 1 ed. khr. 801: 8 verso.
From Chapter 3: Peregrinus Tyss Meets Pipifax: Eisenstein, the Grotesque, and the Attraction
Sergei Eisenstein, still from film clip used in Sergei Tretiakov’s Enough Stupidity in Every Wiseman, based on the play by Alexander Ostrovsky, directed by Sergei Eisenstein, Proletkult First Workers’ Theatre (premiere: April–May 1923). Copyright © A. A. Bakhrushin State Central Theatre Museum, Moscow.