Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Music in Renaissance Ferrara, 1400-1505: the creation of a musical center in the fifteenth century
Lewis Lockwood
You don't have access to this book. Please try to log in with your institution.
Log in
-
Frontmatter
-
List of Illustrations (page xix)
-
List of Tables (page xxi)
-
List of Musical Examples (page xxii)
-
Archival References (page xxiv)
-
Music Manuscripts (page xxv)
-
Introduction (page 1)
-
PART ONE
-
MUSIC AT FERRARA IN THE EARLY FIFTEENTH CENTURY
-
1. Ferrara and the Trecento Background (page 7)
-
2. Ferrara under Niccolò III d'Este (1393-1429) (page 11)
-
Music in the Earlier Years of Niccolò III (1400-29) (page 16)
-
Music at the Cathedral: Bartolomeo da Bologna (1405-27) (page 18)
-
-
THE PERIOD OF LEONELLO D'ESTE (1429-50)
-
3. Ferrara in the 1430s (page 30)
-
The Council of Ferrara (1438) (page 33)
-
-
4. Feragut and Dufay (page 36)
-
5. Leonello's Rule, 1441-50; the Court Chapel (page 43)
-
6. Singers and Repertoires (page 49)
-
The Manuscript Mod B (page 55)
-
-
7. Secular Music (page 69)
-
Groups of Secular Musicians (page 72)
-
Court Dance under Leonello (page 76)
-
-
8. Cathedral Music (page 80)
-
Ugolino di Orvieto: Scholastic and Humanistic Views of Music (page 83)
-
-
BORSO D'ESTE AND FERRARESE COURT CULTURE (1450-71)
-
9. Borso as Ruler (page 93)
-
Borso as Patron of Art and Literature; Music in the Frescoes of the Palazzo Schifanoia (page 96)
-
-
10. Pietrobono and the Improvisatory Tradition (page 103)
-
Court Musicians under Borso (page 103)
-
-
11. A Secular Manuscript of the Borso Period: the Porto MS and Rinaldo Maria d'Este (page 119)
-
PART TWO
-
MUSIC AT FERRARA UNDER ERCOLE I D'ESTE (1471-1505)
-
12. Ercole as Private and Public Figure (page 133)
-
13. Recruitment of Musicians in the 1470's (page 143)
-
14. Organization and Functions of the Court Musicians (page 149)
-
The Cappella di Cantori (page 149)
-
The Instrumentalists (page 153)
-
Music in Daily Life (page 161)
-
-
15. Size and Structure of Ercole's Cappella di Cantori (page 165)
-
National Groups (page 167)
-
Rank and Hierarchy in the Chapel (page 170)
-
-
16. Some Representative Singers of Ercole's Chapel (page 177)
-
Johnannes Brebis (page 177)
-
Magister Nicolò d'Olanda (page 178)
-
Cornelio di Lorenzo of Antwerp (page 178)
-
Jachetto de Marvilla (page 183)
-
Johannes Martini (page 185)
-
-
17. Social and Economic Status of the Musicians (page 192)
-
Inducements to Singers (page 193)
-
Salaries and Status (page 197)
-
-
18. Benefices (page 205)
-
Benefices and the Strategy of Recruitment: the Case of don Philippo de Primis (page 215)
-
-
19. The Last Years of Ercole's Patronage (1497-1505) (page 218)
-
Josquin Desprez at Ferrara (1503-4) (page 225)
-
Jacob Obrecht (1504-5) (page 231)
-
-
PART THREE
-
FERRARESE MUSICAL REPERTOIRES AND STYLES IN THE LATE FIFTEENTH CENTURY
-
20. The Production of Music Manuscripts under Ercole I (page 237)
-
21. The Principal Repertoires in Ercole's Earlier Years (1471-82) (page 255)
-
22. Masses by Martini and Other Composers (page 260)
-
23. Josquin's Missa 'Hercules Dux Ferrarie' (page 268)
-
24. The Psalms, Hymns, and Other Vespers Music by Martini and Brebis (page 278)
-
25. The Motet at Ferrara (page 287)
-
26. Secular Music at the Court: Chanson and Instrumental Music (page 295)
-
The Casanatense Chansonnier (page 298)
-
Martini's Secular Music (page 301)
-
-
27. Music for Court Festivities and Theater (page 308)
-
Music for Public Festivals, Jousts, and Special Events (page 309)
-
Music for the Intermedi of Secular Drama (page 311)
-
Music for Religious Spectacles (page 315)
-
-
Epilogue (page 319)
-
APPENDICES
-
I. Sources in the Archivio di Stato, Modena (page 324)
-
II. Documents (page 328)
-
III. A Précis of Papal Letters to Duke Ercole I and Duke Alfonso I d'Este on Provisions for the Singers of the Ferrarese Court, 1487-1506 (page 334)
-
IV. A Chronology of the Correspondence between Duke Ercole I d'Este and Ferrarese Ambassadors at Rome and elsewhere, On Benefices (page 336)
-
V. A Chronological List of Musicians Active at Ferrara, 1377-1505 (page 346)
-
Bibliography (page 363)
-
Index (page 383)
Journal Abbreviation | Label | URL |
---|---|---|
AHR | 90.5 (Dec. 1985): 1227-1228 | http://www.jstor.org/stable/1859760 |
CHR | 73.2 (Apr. 1987): 339-341 | http://www.jstor.org/stable/25022568 |
SP | 61.4 (Oct. 1986): 956-959 | http://www.jstor.org/stable/2854009 |
RQ | 40.2 (Summer. 1987): 339-342 | http://www.jstor.org/stable/2861728 |
JAMS | 40.1 (Spring. 1987): 95-105 | http://www.jstor.org/stable/831585 |
MEV | 56.1 (1987): 147-148 | http://www.jstor.org/stable/43629096 |
EMH | 5 (1985): 269-274 | http://www.jstor.org/stable/853925 |
EM | 14.4 (Nov. 1986): 577-583 | http://www.jstor.org/stable/3127529 |
DM | 40.3 (Jul. - Sep. 1987): 267-269 | http://www.jstor.org/stable/41121894 |
ML | 67.3 (Jul. 1986): 283-286 | http://www.jstor.org/stable/735890 |
Citable Link
Published: 2009
Publisher: Oxford University Press
- 9780195378276 (paper)
- 9780199703005 (ebook)