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Embracing arms: cultural representation of Slavic and Balkan women in war
Helena Goscilo and Yana Hashamova
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Frontmatter
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Preface and Acknowledgments (page ix)
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Introduction (page 1)
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I. WORLD WAR II
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CHAPTER 1 Invisible Deaths: Polish Cinema's Representation of Women in World War II (Elżbieta Ostrowska, page 29)
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CHAPTER 2 She Defends His Motherland: The Myth of Mother Russia in Soviet Maternal Melodrama of the 1940s (Alexander Prokhorov, page 59)
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CHAPTER 3 Flight without Wings: The Subjectivity of a Female War Veteran in Larisa Shepit'ko's Wings (1966) (Tatiana Mikhailova and Mark Lipovetsky, page 81)
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CHAPTER 4 Gender(ed) Games: Romance, Slapstick, and Ideology in the Polish Television Series Four Tank Men and a Dog (Elena Prokhorova, page 107)
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CHAPTER 5 Rage in the City of Hunger: Body, Talk, and the Politics of Womanliness in Lidia Ginzburg's Notes from the Siege of Leningrad (Irina Sandomirskaja, page 131)
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CHAPTER 6 Graphic Womanhood under Fire (Helena Goscilo, page 153)
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CHAPTER 7 Songs of Women Warriors and Women Who Waited (Robert A. Rothstein, page 179)
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II. RECENT WARS
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CHAPTER 8 "Black Widows": Women as Political Combatants in the Chechen Conflict (Trina R. Mamoon, page 207)
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CHAPTER 9 War Rape: (Re)defining Motherhood, Fatherhood, and Nationhood (Yana Hashamova, page 233)
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CHAPTER 10 Dubravka Ugrešić's War Museum: Approaching the "Point of Pain" (Jessica Wienhold-Brokish, page 253)
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List of Contributors (page 273)
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Index (page 275)
Journal Abbreviation | Label | URL |
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SR | 72.4 (Winter 2013): 862-863 | http://www.jstor.org/stable/10.5612/slavicreview.72.4.0862 |
Citable Link
Published: 2012
Publisher: Central European University Press
- 9786155225567 (ebook)
- 9786155225093 (hardcover)