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The romantic generation
Charles Rosen
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Frontmatter
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Preface (page ix)
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ONE Music and Sound
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TWO Fragments
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THREE Mountains and Song Cycles
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FOUR Formal Interlude
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FIVE Chopin: Counterpoint and the Narrative Forms
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SIX Chopin: Virtuosity Transformed
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SEVEN Chopin: From the Miniature Genre to the Sublime Style
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EIGHT Liszt: On Creation as Performance
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NINE Berlioz: Liberation from the Central European Tradition
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TEN Mendelssohn and the Invention of Religious Kitsch
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ELEVEN Romantic Opera: Politics, Trash, and High Art
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TWELVE Schumann: Triumph and Failure of the Romantic Ideal
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Index of Names and Works (page 711)
Journal Abbreviation | Label | URL |
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JAAC | 54.4 (Autumn, 1996): 393-395 | http://www.jstor.org/stable/431925 |
JAMS | 50.2/3 (Summer, Autumn 1997): 455-464 | http://www.jstor.org/stable/831841 |
NOT | 52.4 (Jun. 1996): 1139-1142 | http://www.jstor.org/stable/898378 |
MEJ | 82.5 (Mar. 1996): 58, 60 | http://www.jstor.org/stable/3398935 |
Citable Link
Published: 1998
Publisher: Harvard University Press
- 9780674779334 (hardcover)
- 9780674779341 (paper)