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  3. Playing to the world's biggest audience: the globalization of Chinese film and TV

Playing to the world's biggest audience: the globalization of Chinese film and TV

Michael Curtin
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  • Contents

  • Frontmatter
  • Acknowledgments (page ix)
  • Introduction: Media Capital in Chinese Film and Television (page 1)
  • 1. The Pan-Chinese Studio System and Capitalist Paternalism (page 29)
  • 2. Independent Studios and the Golden Age of Hong Kong Cinema (page 47)
  • 3. Hyperproduction Erodes Overseas (page 68)
  • 4. Hollywood Takes Charge of Taiwan (page 85)
  • 5. The Globalization of Hong Kong Television (page 109)
  • 6. Strange Bedfellows in Cross-Strait Drama Production (page 133)
  • 7. Market Niches and Expanding Aspirations in Taiwan (page 151)
  • 8. Singapore: From State Paternalism to Regional Media Hub (page 176)
  • 9. Reterritorializing Star TV in the PRC (page 192)
  • 10. Global Satellites Pursuing Local Audiences and Panregional Efficiencies (page 211)
  • 11. The Promise of Broadband and the Problem of Content (page 229)
  • 12. From Movies to Multimedia: Connecting Infrastructure and Content (page 245)
  • Conclusion: Structural Adjustment and the Future of Chinese Media (page 269)
  • Industry Interviews (page 291)
  • Notes (page 295)
  • Bibliography (page 313)
  • Index (page 325)
Citable Link
Published: c2007
Publisher: University of California Press
Copyright Holder: University of California Press
ISBN(s)
  • 9780520940734 (ebook)
  • 9780520251342 (paper)
  • 9780520251335 (hardcover)
Subject
  • Film & Media Studies
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