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Playing to the world's biggest audience: the globalization of Chinese film and TV
Michael Curtin
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Frontmatter
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Acknowledgments (page ix)
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Introduction: Media Capital in Chinese Film and Television (page 1)
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1. The Pan-Chinese Studio System and Capitalist Paternalism (page 29)
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2. Independent Studios and the Golden Age of Hong Kong Cinema (page 47)
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3. Hyperproduction Erodes Overseas (page 68)
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4. Hollywood Takes Charge of Taiwan (page 85)
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5. The Globalization of Hong Kong Television (page 109)
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6. Strange Bedfellows in Cross-Strait Drama Production (page 133)
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7. Market Niches and Expanding Aspirations in Taiwan (page 151)
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8. Singapore: From State Paternalism to Regional Media Hub (page 176)
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9. Reterritorializing Star TV in the PRC (page 192)
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10. Global Satellites Pursuing Local Audiences and Panregional Efficiencies (page 211)
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11. The Promise of Broadband and the Problem of Content (page 229)
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12. From Movies to Multimedia: Connecting Infrastructure and Content (page 245)
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Conclusion: Structural Adjustment and the Future of Chinese Media (page 269)
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Industry Interviews (page 291)
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Notes (page 295)
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Bibliography (page 313)
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Index (page 325)
Citable Link
Published: c2007
Publisher: University of California Press
- 9780520251342 (paper)
- 9780520251335 (hardcover)
- 9780520940734 (ebook)