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Overhearing film dialogue

Sarah Kozloff
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  • Contents

  • Reviews

  • Frontmatter
  • Acknowledgments (page ix)
  • Introduction: The Study of Filmic Speech (page 1)
  • PART ONE GENERAL CHARACTERISTICS
    • 1. The Functions of Dialogue in Narrative Film (page 33)
    • 2. Structural and Stylistic Variables (page 64)
    • 3. Integration (page 90)
  • PART TWO DIALOGUE AND GENRE
    • 4. Verbal Frontiers: Dialogue in Westerns (page 139)
    • 5. Word Play: Dialogue in Screwball Comedies (page 170)
    • 6. Words as Weapons: Dialogue in Gangster Films (page 201)
    • 7. Misunderstandings: Dialogue in Melodramas (page 235)
  • Conclusion (page 267)
  • Notes (page 271)
  • Select Filmography (page 289)
  • Bibliography (page 297)
  • Index (page 311)
Reviews
Journal AbbreviationLabelURL
FQ 54.4 (Summer 2001): 59-61 http://www.jstor.org/stable/1213656
Citable Link
Published: c2000
Publisher: University of California Press
ISBN(s)
  • 9780520924024 (ebook)
  • 9780520221383 (paper)
  • 9780520221376 (hardcover)
Subject
  • Film & Media Studies
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