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  3. Modal subjectivities: self-fashioning in the Italian madrigal

Modal subjectivities: self-fashioning in the Italian madrigal

Susan McClary
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  • Contents

  • Reviews

  • Frontmatter
  • LIST OF EXAMPLES (page vii)
  • ACKNOWLEDGMENTS (page ix)
  • 1 / Introduction: The Cultural Work of the Madrigal (page 1)
  • 2 / Night and Deceit: Verdelot's Machiavelli (page 38)
  • 3 / The Desiring Subject, or Subject to Desire: Arcadelt (page 57)
  • 4 / Radical Inwardness: Willaert's Musica nova (page 78)
  • 5 / The Prisonhouse of Mode: Cipriano de Rore (page 101)
  • 6 / A Coney Island of the Madrigal: Wert and Marenzio (page 122)
  • 7 / The Luxury of Solipsism: Gesualdo (page 146)
  • 8 / The Mirtillo/Amarilli Controversy: Monteverdi (page 170)
  • 9 / I modi (page 194)
  • APPENDIX: EXAMPLES (page 221)
  • INDEX (page 369)
Reviews
Journal AbbreviationLabelURL
WM 11 (2007): 72-82 https://muse.jhu.edu/journals/women_and_music/v011/11.1marshall.html
RQ 60.1 (Spring 2007): 258-259 https://muse.jhu.edu/journals/renaissance_quarterly/v060/60.1hanning.html
Citable Link
Published: c2004
Publisher: University of California Press
Copyright Holder: University of California Press
ISBN(s)
  • 9780520314252 (paper)
  • 9780520234932 (hardcover)
  • 9780520929159 (ebook)
Subject
  • Music & Musicology
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