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Modal subjectivities: self-fashioning in the Italian madrigal
Susan McClary
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Frontmatter
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LIST OF EXAMPLES (page vii)
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ACKNOWLEDGMENTS (page ix)
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1 / Introduction: The Cultural Work of the Madrigal (page 1)
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2 / Night and Deceit: Verdelot's Machiavelli (page 38)
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3 / The Desiring Subject, or Subject to Desire: Arcadelt (page 57)
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4 / Radical Inwardness: Willaert's Musica nova (page 78)
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5 / The Prisonhouse of Mode: Cipriano de Rore (page 101)
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6 / A Coney Island of the Madrigal: Wert and Marenzio (page 122)
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7 / The Luxury of Solipsism: Gesualdo (page 146)
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8 / The Mirtillo/Amarilli Controversy: Monteverdi (page 170)
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9 / I modi (page 194)
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APPENDIX: EXAMPLES (page 221)
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INDEX (page 369)
Journal Abbreviation | Label | URL |
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WM | 11 (2007): 72-82 | https://muse.jhu.edu/journals/women_and_music/v011/11.1marshall.html |
RQ | 60.1 (Spring 2007): 258-259 | https://muse.jhu.edu/journals/renaissance_quarterly/v060/60.1hanning.html |
Citable Link
Published: c2004
Publisher: University of California Press
- 9780520314252 (paper)
- 9780520234932 (hardcover)
- 9780520929159 (ebook)