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  2. Hugo Riemann and the birth of modern musical thought

Hugo Riemann and the birth of modern musical thought

Alexander Rehding c2003 © Cambridge University Press
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Series
  • New Perspectives in Music History and Criticism
  • ACLS Fellows’ Publications
Subject
  • Music & Musicology
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  • Table of Contents

  • Stats

  • Frontmatter
  • Acknowledgements (page ix)
  • Introduction (page 1)
  • 1 Hugo Riemann's moonshine experiment (page 15)
  • 2 The responsibilities of nineteenth-century music theory (page 36)
  • 3 Riemann's musical logic and the 'As if' (page 67)
  • 4 Musical syntax, nationhood and universality (page 113)
  • 5 Beethoven's deafness, exotic harmonies and tone imaginations (page 162)
  • Epilogue (page 182)
  • Glossary: Riemann's key terms as explained in the Musik-Lexikon (5th edn, 1900) (page 186)
  • Bibliography (page 199)
  • Index (page 212)
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