Table of Contents
- Frontmatter
- Acknowledgements (page ix)
- Introduction (page 1)
- 1 Hugo Riemann's moonshine experiment (page 15)
- 2 The responsibilities of nineteenth-century music theory (page 36)
- 3 Riemann's musical logic and the 'As if' (page 67)
- 4 Musical syntax, nationhood and universality (page 113)
- 5 Beethoven's deafness, exotic harmonies and tone imaginations (page 162)
- Epilogue (page 182)
- Glossary: Riemann's key terms as explained in the Musik-Lexikon (5th edn, 1900) (page 186)
- Bibliography (page 199)
- Index (page 212)