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Hugo Riemann and the birth of modern musical thought
Alexander Rehding
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Frontmatter
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Acknowledgements (page ix)
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Introduction (page 1)
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1 Hugo Riemann's moonshine experiment (page 15)
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2 The responsibilities of nineteenth-century music theory (page 36)
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3 Riemann's musical logic and the 'As if' (page 67)
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4 Musical syntax, nationhood and universality (page 113)
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5 Beethoven's deafness, exotic harmonies and tone imaginations (page 162)
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Epilogue (page 182)
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Glossary: Riemann's key terms as explained in the Musik-Lexikon (5th edn, 1900) (page 186)
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Bibliography (page 199)
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Index (page 212)
Citable Link
Published: c2003
Publisher: Cambridge University Press
- 9780511095887 (ebook)
- 9780521096362 (paper)
- 9780521820738 (hardcover)