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Migrating to the movies: cinema and Black urban modernity
Jacqueline Najuma Stewart
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Frontmatter
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List of Illustrations (page ix)
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Preface (page xiii)
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Acknowledgments (page xxi)
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Introduction: A Nigger in the Woodpile, or Black (In)Visibility in Film History (page 1)
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PART I. ONTO THE SCREEN
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1. "To Misrepresent a Helpless Race": The Black Image Problem (page 23)
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2. Mixed Colors: Riddles of Blackness in Preclassical Cinema (page 50)
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PART II. INTO THE AUDIENCE
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3. "Negroes Laughing at Themselves"? Black Spectatorship and the Performance of Urban Modernity (page 93)
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4. "Some Thing to See Up Here All the Time": Moviegoing and Black Urban Leisure in Chicago (page 114)
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5. Along the "Scroll": Chicago's Black Belt Movie Theaters (page 155)
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PART III. BEHIND THE CAMERA
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6.Reckless Rovers versus Ambitious Negroes: Migration, Patriotism, and the Politics of Genre in Early African American Filmmaking (page 189)
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7. "We Were Never Immigrants": Oscar Micheaux and the Reconstruction of Black American Identity (page 219)
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Conclusion (page 245)
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Notes (page 251)
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Bibliography (page 311)
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Index (page 327)
Citable Link
Published: c2005
Publisher: University of California Press
- 9780520233492 (paper)
- 9780520233508 (hardcover)
- 9780520936409 (ebook)