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Chick flicks: theories and memories of the feminist film movement
B. Ruby Rich
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Frontmatter
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Acknowledgments (page xi)
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Preface: Jews without Books (page xv)
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Introduction (page 1)
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Prologue. I Found It at the Movies (page 7)
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1. Film in the Sixties (page 13)
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Prologue. Hippie Chick in the Art World (page 19)
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2. Carolee Schneemann's Fuses (page 27)
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Prologue. Angst and Joy on the Women's Film Festival Circuit (page 29)
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3. Leni Riefenstahl: The Deceptive Myth (page 40)
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Prologue. Life, Death, and Tragic Homecoming (page 48)
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4. Voodoo Verité: Maya Deren's Divine Horsemen (page 52)
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Prologue. An Iguana, Some Wolves, and the Dawn of Theory (page 57)
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5. In the Name of Feminist Film Criticism (page 62)
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Prologue. O Brave New World (page 85)
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6. One Way or Another: Sara Gomez and the Cuban Experience (page 92)
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Prologue. A Woman's Declaration of Secession from the Avant-Garde (page 103)
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7. Sex and Cinema (page 109)
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Prologue. Love's Labor Lost (page 116)
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8. Misconception: Laboring under No Illusions (page 121)
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Prologue. Cows and Hero-Worship (page 125)
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9. The Films of Yvonne Rainer (page 129)
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Prologue. Knokke-Heist and the Fury That Was Edinburgh (page 156)
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10. Designing Desire: Chantal Akerman (page 169)
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Prologue. Euphoria Reclaims History (page 174)
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11. From Repressive Tolerance to Erotic Liberation: Maedchen in Uniform (page 179)
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Prologue. Softball, the Goddess, and Lesbian Film Culture (page 207)
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12. The Right of Re-Vision: Michelle Citron's Daughter Rite (Linda Williams, coauthor, page 212)
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Prologue. The Allure of Alchemy (page 220)
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13. Femicide Investigation: Thriller (page 227)
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Prologue. Sour Grapes (page 233)
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14. She Says, He Says: The Power of the Narrator in Modernist Film Politics (page 238)
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Prologue. Sex, Gender, and Consumer Culture (page 253)
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15. Antiporn: Soft Issue, Hard World (Not a Love Story) (page 261)
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Prologue. Unguided Tours (page 274)
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16. The Feminist Avant-Garde (page 281)
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Prologue. Attacking the Sisters, or the Limits of Disagreement (page 286)
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17. Cinefeminism and Its Discontents (page 291)
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Prologue. Libel Threats and Exile Tactics (page 299)
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18. Truth, Faith, and the Individual: Thoughts on U.S. Documentary Film Practice (page 305)
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Prologue. Disempowerment and the Politics of Rage (page 315)
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19. Lady Killers: A Question of Silence (page 319)
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Prologue. Film Star as Outstanding Human Being (page 326)
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20. Julie Christie Goes to Washington (page 329)
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Prologue. Blaming the Victim (page 337)
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21. Good Girls, Bad Girls: Joyce Chopra's Smooth Talk (page 344)
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Prologue. The Berks and the Sex Wars (page 347)
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22. Feminism and Sexuality in the Eighties (page 350)
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Epilogue: Charting the Eighties (page 376)
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Notes (page 391)
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Index (page 409)
Journal Abbreviation | Label | URL |
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WRB | 16.4 (Jan. 1999): 16-17 | http://www.jstor.org/stable/4023110 |
FQ | 53.4 (Summer 2000): 69 | http://www.jstor.org/stable/1213765 |
FS | 27.1 (Spring 2001): 159-166 | http://www.jstor.org/stable/3178455 |
Citable Link
Published: 1998
Publisher: Duke University Press
- 9780822321064 (hardcover)
- 9780822377580 (ebook)
- 9780822321217 (paper)