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Screening Asian Americans
Peter X. Feng
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Frontmatter
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Acknowledgments (page ix)
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Introduction (Peter X Feng, page 1)
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Asian American Bodies
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Filming "Chinatown": Fake Visions, Bodily Transformations (Sabine Haenni, page 21)
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The Early Years: Asians in the American Films Prior to World War II (exerpt, with a new introduction) (Eugene Franklin Wong, page 53)
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The Desiring of Asian Female Bodies: Interracial Romance and Cinematic Subjection (Laura Hyun-Yi Kang, page 71)
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Histories of Asian American Cinema
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A History in Progress: Asian American Media Arts Centers, 1970-1990 (Stephen Gong, page 101)
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Identity and Difference in "Filipino/a American" Media Arts (Rolando B. Tolentino, page 111)
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A Peculiar Sensation: A Personal Geneology of Korean American Women's Cinema (Helen Lee, page 133)
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Asian American Film and Video in Context
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Historical Consciousness and the Viewer: Who Killed Vincent Chin? (Bill Nichols, page 159)
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The Politics of Video Memory: Electronic Erasures and Inscriptions (Marita Sturken, page 173)
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Being Chinese American, Becoming Asian American: Chan Is Missing (Peter X Feng, page 185)
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Emigrants Twice Displaced: Race, Color, and Identity in Mira Nair's Mississippi Masala (Binita Mehta, page 217)
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Surname Viet Given Name Nam: Spreading Rumors & Ex/Changing Histories (Linda Peckham, page 235)
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Good Clean Fung (Thomas Waugh, page 243)
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"From the multitude of narratives... For another telling for another recitation": Constructing and Re-constructing Dictee and Memory/all echo (Jennifer Guarino-Trier, page 253)
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Coming Out into the Global System: Postmodern Patriarchies and Transnational Sexualities in The Wedding Banquet (Mark Chiang, page 273)
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On Fire (Gayatri Gopinath, page 293)
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Contributors (page 299)
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Index (page 303)
Citable Link
Published: c2002
Publisher: Rutgers University Press
- 9780813530253 (paper)
- 9780813530246 (hardcover)