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Frontmatter
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Introduction (Frank Krutnik, Steve Neale, Brian Neve, Peter Stanfield, page 3)
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1 Are You Now or Have You Ever Been a Christian? The Strange History of The Robe as Political Allegory (JEFF SMITH, page 19)
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2 Un-American: Dmytryk, Rossellini, and Christ in Concrete (ERICA SHEEN, page 39)
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3 "A Living Part of the Class Struggle": Diego Rivera's The Flower Carrier and the Hollywood Left (FRANK KRUTNIK, page 51)
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4 A Monarch for the Millions: Jewish Filmmakers, Social Commentary, and the Postwar Cycle of Boxing Films (PETER STANFIELD, page 79)
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5 The Violent Poetry of the Times: The Politics of History in Daniel Mainwaring and Joseph Losey's The Lawless (DOUG DIBBERN, page 97)
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6 Dark Passages: Jazz and Civil Liberty in the Postwar Crime Film (SEAN MCCANN, page 113)
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7 Documentary Realism and the Postwar Left (WILL STRAW, page 130)
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8 Cloaked in Compromise: Jules Dassin's "Naked" City (REBECCA PRIME, page 142)
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9 The Progressive Producer in the Studio System: Adrian Scott at RKO, 1943-1947 (JENNIFER LANGDON-TECLAW, page 152)
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10 The House I Live In: Albert Maltz and the Fight against Anti-Semitism (ART SIMON, page 169)
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11 Red Hollywood in Transition: The Case of Robert Rossen (BRIAN NEVE, page 184)
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12 Swashbuckling, Sapphire, and Salt: Un-American Contributions to TV Costume Adventure Series in the 1950s (STEVE NEALE, page 198)
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13 Hollywood, the New Left, and FTA (MARK SHIEL, page 210)
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14 Red Hollywood (THOM ANDERSEN, page 225)
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Afterword (THOM ANDERSEN, page 264)
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Acknowledgments (page 277)
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Notes (page 279)
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Notes on the Contributors (page 337)
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Index (page 339)
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