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  2. Gendering bodies/performing art: dance and literature in early-twentieth-century culture

Gendering bodies/performing art: dance and literature in early-twentieth-century culture

Amy Koritz c1995 © University of Michigan Press
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ISBN(s)
  • 9780472106165 (hardcover)
Subject
  • Dance & Performance History
Citable Link
  • Table of Contents

  • Reviews

  • Stats

  • Frontmatter
  • Introduction (page 1)
  • Part 1. Women Who Dance (page 13)
    • 1. Moving Violations: Dance in the London Music Hall, 1800-1910 (page 15)
    • 2. The Dancer and Woman's Place: Maud Allan and Isadora Duncan (page 31)
  • Part 2. Removing the Dancer from the Dance (page 57)
    • 3. The Symbolist Dancer: The Performance Aesthetics of Isadora Duncan, Arthur Symons, and Edward Gordon Craig (page 59)
    • 4. Oscar Wilde's Salomé: Rewriting the Fatal Woman (page 75)
    • 5. Dance and Gender in Yeat's Early Plays for Dancers (page 87)
  • Part 3. The Rise of the Author (page 101)
    • 6. The Aesthetic of Control: G. B. Shaw and the Performer (page 103)
    • 7. Usurping High Culture: The Russian Ballet, I (page 119)
  • Part 4. Performing Modernism (page 135)
    • 8. Disappearing Acts: Ideology and the Performer in T. S. Eliot's Early Criticism (page 137)
    • 9. Massine and Modernism: The Russian Ballet, II (page 155)
  • Notes (page 175)
  • Works Cited (page 201)
  • Index (page 215)
Reviews
Journal AbbreviationLabelURL
TDR 41.1 (Spring 1997): 152-154 http://www.jstor.org/stable/1146578
DRJ 28.2 (Autumn 1996): 80-83 http://www.jstor.org/stable/1478592
DR 16.2 (Winter 1998): 29-43 http://www.jstor.org/stable/1291023
SIG 23.4 (Summer 1998): 1075-1077 http://www.jstor.org/stable/3175207
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