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The twelve-note music of Anton Webern: old forms in a new language
Kathryn Bailey
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Frontmatter
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Acknowledgements (page ix)
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Conventions in the text (page xi)
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Introduction (page 1)
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PART 1 Row and canon (page 9)
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Introduction to Part I (page 9)
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1 The rows (page 13)
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2 Row topography (page 30)
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3 Canon (page 94)
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PART II The instrumental music (page 147)
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Introduction to Part II (page 147)
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4 The movements in sonata form: Opp. 20/ii, 21/i, 22/i, 24/i and 27/i (page 153)
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5 The movements in variation form: Opp. 21/ii, 24/iii, 27/iii, 28/i and 30 (page 195)
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6 The movements in rondo and ternary forms: Opp. 20/i, 22/ii, 24/ii, 28/ii and 28/iii (page 237)
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7 The movement in binary form: Op. 27/ii (page 262)
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PART III The music with voices (page 265)
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Introduction to Part III (page 265)
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8 Das Augenlicht (page 268)
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9 Cantata I (page 272)
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10 Cantata II (page 303)
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Conclusion (page 331)
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Appendices (page 335)
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I A comparison of row characteristics (page 335)
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II Matrices (page 337)
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III Row analyses (1) (page 344)
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IV Row analyses (2) (page 354)
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V A note on Webern's graces (page 410)
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Notes (page 416)
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Glossary (page 449)
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Chronological worklist (page 451)
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Select bibliography (page 454)
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Index (page 459)
Journal Abbreviation | Label | URL |
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MAL | 73.4 (Nov. 1992): 629-631 | http://www.jstor.org/stable/735863 |
MusA | 13.2/3 (Jul.-Oct. 1994): 314-319 | http://www.jstor.org/stable/854264 |
NOT | 49.3 (Mar. 1993): 1035-1039 | http://www.jstor.org/stable/898965 |
Citable Link
Published: c1991
Publisher: Cambridge University Press
- 9781139085946 (ebook)
- 9780521547963 (paper)
- 9780521390880 (hardcover)