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The queer composition of America's sound: gay modernists, American music, and national identity
Nadine Hubbs
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Frontmatter
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Acknowledgments (page ix)
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INTRODUCTION. Composing Oneself (page 1)
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1. Modernist Abstraction and the Abstract Art: Four Saints and the Queer Composition of America's Sound (page 19)
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2. Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America (page 64)
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INTERMEZZO. My Dear Freddy: Identity Excesses and Evasions (chez Paul Bowles, page 103)
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3. A French Connection: Modernist Codes in the Musical Closet (page 117)
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4. Queerness, Eruption, Bursting: U.S. Musical Modernism at Midcentury (page 152)
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CODA Composing Oneself (Reprise) (page 175)
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Notes (page 179)
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Works Cited (page 249)
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Discography (page 265)
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Index (page 267)
Journal Abbreviation | Label | URL |
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WM | 12 (2008): 113-117 | http://muse.jhu.edu/journals/women_and_music/v012/12.tick.html |
NOT | 62.2 (Dec. 2005): 395-397 | http://muse.jhu.edu/journals/notes/v062/62.2mcbride.html |
Citable Link
Published: c2004
Publisher: University of California Press
- 9780520937956 (ebook)
- 9780520241848 (hardcover)
- 9780520241855 (paper)