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The making of American audiences: from stage to television, 1750-1990
Richard Butsch
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Frontmatter
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Acknowledgments (page vii)
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Introduction: Participative Public, Passive Private? (page 1)
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1 Colonial Theater, Privileged Audiences (page 20)
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2 Drama in Early Republic Audiences (page 32)
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3 The B'Hoys in Jacksonian Theaters (page 44)
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4 Knowledge and the Decline of Audience Sovereignty (page 57)
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5 Manitee Ladies: Re-gendering Theater Audiences (page 66)
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6 Blackface, Whiteface (page 81)
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7 Variety, Liquor, and Lust (page 95)
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8 Vaudeville, Incorporated (page 108)
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9 "Legitimate" and "Illegitimate" Theater around the Turn of the Century (page 121)
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10 The Celluloid Stage: Nickelodeon Audiences (page 139)
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11 Storefronts to Theaters: Seeking the Middle Class (page 158)
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12 Voices from the Ether: Early Radio Listening (page 173)
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13 Radio Cabinets and Network Chains (page 193)
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14 Rural Radio: "We Are Seldom Lonely Anymore" (page 208)
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15 Fears and Dreams: Public Discourses about Radio (page 219)
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16 The Electronic Cyclops: Fifties Television (page 235)
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17 A TV in Every Home: Television "Effects" (page 252)
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18 Home Video: Viewer Autonomy? (page 267)
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19 Conclusion: From Effects to Resistance and Beyond (page 280)
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Appendix: Availability, Affordability, Admission Price (page 295)
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Notes (page 303)
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Selected Bibliography (page 393)
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Index (page 431)
Journal Abbreviation | Label | URL |
---|---|---|
TJ | 54.2 (May 2002): 326-327 | http://www.jstor.org/stable/25069078 |
JAH | 89.2 (Sep. 2002): 601-602 | http://www.jstor.org/stable/3092180 |
Citable Link
Published: 2000
Publisher: Cambridge University Press
- 9780511395154 (ebook)
- 9780521662536 (hardcover)
- 9780521664837 (paper)