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"Silk and bamboo" music in Shanghai: the jiangnan sizhu instrumental ensemble tradition
J. Lawrence Witzleben
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Frontmatter
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Preface (page vii)
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Acknowledgments (page xix)
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Romanization, Pronunciation, and Translation (page xxi)
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Prologue (page 1)
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1. Historical Background and Intergenre Relationships (page 5)
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2. Jiangman Sizhu in Shanghai, 1981-1985 (page 23)
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3. Instruments (page 37)
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4. Repertory (page 58)
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5. Form (page 70)
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6. Variation (page 89)
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7. Texture (page 104)
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8. Aesthetics (page 118)
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Epilogue (page 139)
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Appendix A: Translation of the Regulations of the China National Music Ensemble (page 142)
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Appendix B: An Introduction to Cipher Notation (page 145)
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Notes (page 146)
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Character List and Glossary (page 157)
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References Cited (page 175)
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Selected Discography (page 187)
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Index (page 191)
Journal Abbreviation | Label | URL |
---|---|---|
BJE | 4 (1995): 176-179 | http://www.jstor.org/stable/3060698 |
AFS | 56.2 (1997): 188-189 | http://www.jstor.org/stable/1178806 |
ML | 77.2 (May 1996): 301-302 | http://www.jstor.org/stable/737220 |
JAS | 58.1 (Feb. 1999): 174-176 | http://www.jstor.org/stable/2658420 |
ASM | 29.1 (Autumn 1997 - Winter 1998): 128-133 | http://www.jstor.org/stable/834414 |
CRI | 3.2 (Fall 1996): 573-575 | http://www.jstor.org/stable/23728904 |
GSJ | 50 (Mar. 1997): 256-258 | http://www.jstor.org/stable/842586 |
YTM | 28 (1996): 208-209 | http://www.jstor.org/stable/767823 |
NOT | 54.4 (June 1998): 924-925 | http://www.jstor.org/stable/900078 |
WOM | 44.1 (2002): 154-157 | http://www.jstor.org/stable/41699407 |
Citable Link
Published: c1995
Publisher: The Kent State University Press
- 9780873384995 (hardcover)