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Wagner's musical prose: texts and contexts
Thomas S. Grey
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Frontmatter
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Preface (page xi)
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1 Wagner and the problematics of "absolute music" in the nineteenth century (page 1)
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2 Beethoven reception and the hermeneutic impulse: "poetic ideas" and new forms (page 51)
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3 Engendering music drama: Opera and Drama and its metaphors (page 130)
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4 The "poetic-musical period" and the "evolution" of Wagnerian form (page 181)
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5 Endless melodies (page 242)
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6 Motives and motivations: leitmotif and "symphonic" drama (page 305)
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Appendices (page 375)
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Bibliography (page 380)
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Index (page 391)
Journal Abbreviation | Label | URL |
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COJ | 9.1 (Mar. 1997): 89-96 | http://www.jstor.org/stable/823711 |
JAMS | 50.1 (Spring 1997): 217-224 | http://www.jstor.org/stable/832071 |
NOT | 54.3 (Mar. 1998): 671-674 | http://www.jstor.org/stable/899892 |
MAL | 77.4 (Nov. 1996): 626-629 | http://www.jstor.org/stable/737823 |
Citable Link
Published: c1995
Publisher: Cambridge University Press
- 9780521417389 (hardcover)
- 9781139085434 (ebook)