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  3. Reflections on American music: the twentieth century and the new millennium : a collection of essays presented in honor of the College Music Society

Reflections on American music: the twentieth century and the new millennium : a collection of essays presented in honor of the College Music Society

James R. Heintze and Michael Saffle
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  • Contents

  • Frontmatter
  • Illustrations (page ix)
  • Acknowledgments (page xi)
  • Preface: About a Book Called "Reflections on American Music" (Michael Saffle and James R. Heintze, page xiii)
  • Part I CONCERNING THE COLLEGE MUSIC SOCIETY
    • American Music and the College Music Society: An Introduction (Dale A. Olsen, page 3)
    • Facilitating Learning: The Role of The College Music Society (Barbara English Maris, page 7)
    • Is There a Future for the Traditions of Music and Music Teaching in Our Colleges and Universities? (Leon Botstein, page 17)
    • The Rewaking (William Carlos Williams, page 27)
  • Part II The Twentieth Century and the New Millennium
    • From "Winter Music": A Composer's Journal (John Luther Adams, page 31)
    • Music at the Millennium: America, the World, and the New Generation (David Amram, page 49)
    • Medievalism in American Musical Life (Elizabeth Aubrey, page 55)
    • Blending Choirs: A New Paradigm for High School Choirs with Odd Numbers and Strange Schedules (Barbara W. Baker, page 64)
    • Music Publishing in America (Arnold Broido, page 69)
    • Classical Music Criticism: Crises and Hopes (Scott Cantrell, page 81)
    • Music Theory and Progressive Rock Style Analysis: On the Threshold of Art and Amplification (John S. Cotner, page 88)
    • The Sounds of Silents: An Interview with Carl Davis (Carl Davis and John C. Tibbetts, page 107)
    • American Coral Music at the Millennium (David P. DeVenney, page 119)
    • The Music We've Called Jazz (Ethel Ennis and Earl Arnett, page 127)
    • The Twenty-first-Century Maestro (JoAnn Falletta, page 134)
    • Public-School Music Education in the Twentieth Century (Charles L. Gary, page 141)
    • The Invisible Art: New Music in America (Bob Goldfarb, page 152)
    • Music Librarianship: 70 Years Back and 70 Years Forward (Jane Gottlieb, page 160)
    • Will Classical Music Remain a Vital Force in Our Culture? (Gary Graffman, page 169)
    • A Proposal for Artist-owned Recordings and a University-based Music Distribution Network (Marnie Hall, page 173)
    • And the Music Goes 'Round: An Interview with John Kander (John Kander and John C. Tibbetts, page 189)
    • American Music Historiography Yesterday and Today (William Kearns, page 202)
    • Challenges and Visions: Reflections on American Church Music (Marilyn A. Kielniarz, page 218)
    • Foot Notes: Tap in the Twentieth Century (Ann Kilkelly, page 224)
    • The Blues—Past and Future: An Interview with B. B. King (B. B. King and William R. Ferris, page 243)
    • Jazz, Now and Always (Howard Mandel, page 258)
    • Globalization, Culturation, and Transculturation in American Music: From Cultural Pop to Transcultural Art (Dale A. Olsen, page 265)
    • A Case for Continuity (Jerold Ottley, page 291)
    • They're Playing My Song: Performance Rights in the Twenty-first Century (Frances W. Preston, page 296)
    • Confessions of a New Orleans Jazz Archivist (Bruce Boyd Raeburn, page 300)
    • Cultural Outreach through Music in Community-College Education (Elizabeth C. Ramirez, page 313)
    • The American Century: Remembering the Past, Contemplating the Future (Elliott Schwartz, page 319)
    • Continental Harmony: A Community-based Celebration of the American Millennial Year (Patricia A. Shifferd, page 328)
    • Finding Our Way Back Home: Tonality in the Twenty-first Century (Robert Sirota, page 351)
    • Kurt Weill's Americana: The Open Road to the Future (Jack Sullivan, page 357)
    • Performing-Rights Collectives: Dinosaurs of the New Millennium? (William Velez, page 365)
    • Music Theory and Pedagogy before and after the Millennium (John White, page 375)
    • Coming of Age: Reflections on Black Music Scholarship (Josephine R. B. Wright, page 391)
    • "A Closed Fist" from Spirals (for violin, viola, and cello) (Judith Lang Zaimont, page 397)
  • Index (page 407)
Citable Link
Published: 2000
Publisher: Pendragon Press
ISBN(s)
  • 9781576470701 (paper)
Subject
  • Music & Musicology
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