Gregory Maqoma in Exit/Exist
From Introduction
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From Introduction
Fig. 1. Gregory Maqoma in Exit/Exist, 2013. (Photo by John Hogg.)
From Introduction
Fig. 2. Mamela Nyamza in Hatched, 2010. (Photo by John Hogg.)
Fig. 3. Original poster for Statements after an Arrest under the Immorality Act, designed and screen printed by Margaret Hillhorst, 1972. The fingerprints are those of Athol Fugard and Yvonne Bryceland. (Image courtesy of Brian Astbury.)
From Chapter 2
Fig. 4. Siyanda Duma, Ntombi Gasa, and Neliswa Rushualang in a scene from Jay Pather’s Body of Evidence, 2008. (Photo by Val Adamson, courtesy of Jay Pather.)
From Chapter 2
Fig. 5. Mamela Nyamza and Aphiwe Livi in De-Apart-Hate, performed at JOMBA! Contemporary Dance Experience, 2017. (Photo by Val Adamson.)
From Chapter 2
Fig. 6. Mamela Nyamza in De-Apart-Hate, 2016. (Photo by John Hogg.)
From Chapter 2
Fig. 7. Choreographer Sello Pesa tests movement and noise on the boxing bag with dancers and collaborators Humphrey Maleka and Brian Mtembu in Bag Beatings, 2016. (Photo by Stella Olivier, courtesy of the Centre for the Less Good Idea.)
From Chapter 3
Fig. 8. Toni Morkel slipping on red plates in Robyn Orlin’s Daddy, I’ve seen this piece six times before and I still don’t know why they’re hurting each other, 1999. (Photo by John Hogg.)
From Chapter 3
Fig. 9. Nelisiwe Xaba in Robyn Orlin’s Daddy, I’ve seen this piece six times before and I still don’t know why they’re hurting each other, 1999. (Photo by John Hogg.)
From Chapter 3
Fig. 10. Nelisiwe Xaba’s Uncles Angels, 2012. (Photo supplied by Goodman Gallery.)
From Chapter 3
Fig. 11. Qaphela Caesar by Jay Pather and Siwela Sonke Dance Theatre, 2012. (Photo by Val Adamson, courtesy of Jay Pather.)
From Chapter 3
Fig. 12. Body of Evidence by Jay Pather and Siwela Sonke Dance Theatre, 2008. (Photo by Val Adamson, courtesy of Jay Pather.)
From Chapter 3
Fig. 13. Brett Bailey’s Exhibit B, 2016. (Photo by Cristos Sarris for Onassis Stegi.)
Fig. 14. South African playwright and installation artist Brett Bailey (right), working with an actor during a rehearsal of Exhibit B at the Musée Sainte-Croix in Poitiers, France, 2014. (Photo by Marlene Awaad/New York Times/Redux.)
From Chapter 4
Fig. 15. Pappy Ebotani (left) with Faustin Linyekula in more more more . . . future, 2011. (Photo by John Hogg.)
From Chapter 4
Fig. 16. Pepé Malumba Musema, aka Le Coq (left), and Patient Muftala Useni, aka Pasnas, in Faustin Linyekula’s more more more . . . future, 2011. (Photo by John Hogg.)
From Chapter 4
Fig. 17. Gregory Maqoma in Beautiful Me, 2007. (Photo by John Hogg.)
From Epilogue
Fig. 18. From left: Xolani Dlamini, Gregory Maqoma, and Thulani Chauke in The Head the Load by William Kentridge, 2018. (Photo by Stella Olivier.)