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Early Netherlandish painting: its origins and character, Vol. 1
Erwin Panofsky
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Frontmatter
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Introduction: THE POLARIZATION OF EUROPEAN FIFTEENTH-CENTURY PAINTING IN ITALY AND THE LOWLANDS (page 1)
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I: FRENCH AND FRANCO-FLEMISH BOOK ILLUMINATION IN THE FOURTEENTH CENTURY (page 21)
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II: THE EARLY FIFTEENTH CENTURY AND THE "INTERNATIONAL STYLE" (page 51)
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III: SCULPTURE AND PANEL PAINTING ABOUT 1400; THE PROBLEM OF BURGUNDY (page 75)
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IV: THE REGIONAL SCHOOLS OF THE NETHERLANDS AND THEIR IMPORTANCE FOR THE FORMATION OF THE GREAT MASTERS (page 91)
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V: REALITY AND SYMBOL IN EARLY FLEMISH PAINTING: "SPIRITUALIA SUB METAPHORIS CORPORALIUM (page 131)
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VI: "ARS NOVA"; THE MASTER OF FLÉMALLE (page 149)
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VII: JAN VAN EYCK (page 178)
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VIII: HUBERT AND/OR JAN VAN EYCK; THE PROBLEMS OF THE GHENT ALTARPIECE AND THE TURIN-MILAN HOURS (page 205)
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IX: ROGER VAN DER WEYDEN (page 247)
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Epilogue: THE HERITAGE OF THE FOUNDERS (page 303)
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NOTES (page 359)
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CONDENSED BIBLIOGRAPHY (page 513)
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INDEX (page 537)
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ILLUSTRATIONS AT THE END OF VOLUME
Journal Abbreviation | Label | URL |
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AB | 37.3 (Sep. 1955): 205-234 | http://www.jstor.org/stable/3047611 |
BM | 98.637 (Apr. 1956): 112-116 | http://www.jstor.org/stable/871834 |
CAJ | 15.1 (Autumn 1955): 70-72 | http://www.jstor.org/stable/773804 |