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Mashed up: music, technology, and the rise of configurable culture
Aram Sinnreich
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Frontmatter
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List of Illustrations (page xi)
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Preface (page xiii)
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Acknowledgments (page xxi)
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Introduction: The Bust (page 1)
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PART I. WHEN THE MODE OF THE MUSIC CHANGES (page 13)
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1. Music as a Controlled Substance (page 15)
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2. The Modern Framework (page 41)
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3. The Crisis of Configurability (page 69)
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PART II. DRAWING LINES IN THE SAND (page 91)
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4. Yes, But Is It Art? The Art/Craft Binary (page 95)
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5. Some Kid in His Bedroom: The Artist/Audience Binary (page 107)
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6. Something Borrowed, Something New: The Original/Copy Binary (page 124)
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7. Live from a Hard Drive: The Composition/Performance Binary (page 148)
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8. Hooks and Hearts: The Figure/Ground Binary (page 159)
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9. "He Plays Dictaphones, and She Plays Bricks": The Materials/Tools Binary (page 170)
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PART III. THE LESSONS: CONFIGURABILITY AND THE NEW FRAMEWORK (page 179)
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10. Critique and Co-optation (page 181)
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11. "Plus Ça Change" or Paradigm Shift? (page 193)
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Notes (page 209)
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Index (page 227)
Journal Abbreviation | Label | URL |
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AS | 51.1/2 (2010): 168-170 | http://www.jstor.org/stable/41287857 |
PCS | 53.3 (2011): 499-515 | http://www.jstor.org/stable/23133914 |
Citable Link
Published: c2010
Publisher: University of Massachusetts Press
- 9781613760444 (ebook)
- 9781558498280 (hardcover)
- 9781558498297 (paper)