Share the story of what Open Access means to you
University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.
Voicing the ineffable: musical representations of religious experience
Siglind Bruhn
You don't have access to this book. Please try to log in with your institution.
Log in
-
Frontmatter
-
Introduction (Siglind Bruhn, page iii)
-
Part I: Signs of Transcendence and couleur locale
-
Of Spain and Sin: A Glance at Wolf's Spanisches Liederbuch (Susan Youens, page 3)
-
From Paganism to Orthodoxy to Theosophy: Reflections of Other Worlds in the Piano Music of Rachmaninov and Scriabin (Anatole Leikin, page 25)
-
-
Part II: Lifting the Secular Veil
-
A Sermon for Fishes in a Secular Age: On the Scherzo Movement of Mahler's Second Symphony (Magnar Breivik, page 47)
-
Music, Religious Experience, and Transcendence in Ben Jonson's Masque of Beautie: A Case Study in Collaborative Form (Anthony Johnson, page 71)
-
The Truth Ineffably Divine: The Loss and Recovery of the Sacred in Richard Wagner's Parsifal (Robert A. Davis, page 97)
-
-
Part III: Temptation, Death, and Resurrection
-
Eschatological Aspects in Music: The Dream of Gerontius by Edward Elgar (Eva Maria Jensen, page 133)
-
Wordless Songs of Love, Glory, and Resurrection: Musical Emblems of the Holy in Hindemith's Saints (Siglind Bruhn, page 157)
-
The Passion According to Penderecki (Danuta Mirka, page 189)
-
-
Part IV: The Divine Breath of Worldly Music
-
Spiritual Descents and Ascents: Religious Implications in Pronounced Motion to the Subdominant and Beyond (Chandler Carter, page 233)
-
Time and Divine Providence in Mozart's Music (Nils Holger Petersen, page 265)
-
Music and the Ineffable (Eyolf Østrem, page 287)
-
-
The Contributors (page 313)
Citable Link
Published: c2002
Publisher: Pendragon Press
- 9781576470893 (paper)