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The memory of Tiresias: intertextuality and film
M. B I︠A︡mpolʹskiĭ
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Frontmatter
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ACKNOWLEDGEMENTS (page ix)
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INTRODUCTION (page 1)
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PART I: BASIC CONCEPTS (page 5)
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Chapter 1. Cinema and the Theory of Intertextuality (page 7)
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PART II: NARRATIVE'S WAY: D.W. GRIFFITH (page 49)
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Chapter 2. Repressing the Source: D.W. Griffith and Browning (page 51)
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Chapter 3. Intertextuality and the Evolution of Cinematic Language: Griffith and the Poetic Tradition (page 83)
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PART III: BEYOND NARRATIVE: AVANT-GARDE CINEMA (page 123)
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Chapter 4. Cinematic Language as Quotation: Cendrars and Léger (page 125)
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Chapter 5. Intertext against Intertext: Buñuel and Dali's Un Chien andalou (page 162)
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PART IV: THEORISTS WHO PRACTICED (page 191)
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Chapter 6. The Hero as an "Intertextual Body": Iurii Tynianov's Lieutenant Kizhe (page 193)
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Chapter 7. The Invisible Text as a Universal Equivalent: Sergei Eisenstein (page 221)
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CONCLUSION (page 245)
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NOTES (page 255)
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WORKS CITED (page 283)
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INDEX (page 301)
Journal Abbreviation | Label | URL |
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SR | 59.3 (Autumn 2000): 706-707 | http://www.jstor.org/stable/2697405 |
Citable Link
Published: c1998
Publisher: University of California Press
- 9780520914728 (ebook)
- 9780520085305 (paper)
- 9780520085299 (hardcover)