Skip to main content
ACLS Humanities E-Book
Fulcrum logo

Share the story of what Open Access means to you

a graphic of a lock that is open, the universal logo for open access

University of Michigan needs your feedback to better understand how readers are using openly available ebooks. You can help by taking a short, privacy-friendly survey.

  1. Home
  2. How movies work

How movies work

Bruce F. Kawin c1992 © University of California Press
Restricted You do not have access to this book. How to get access.
Read Book
ISBN(s)
  • 9780520076969 (paper)
Subject
  • Film & Media Studies
Citable Link
  • Table of Contents

  • Reviews

  • Stats

  • Frontmatter
  • PART I FILM AND THE PHYSICAL WORLD
    • 1. Film Appreciation (page 2)
    • 2. Parts and Wholes (page 45)
    • 3. Primary Categories (page 59)
    • 4. Montage and Mise-en-Scène in the Narrative Film (page 97)
  • PART II FROM SHOT TO SEQUENCE
    • 1. Raw Materials (page 120)
    • 2. The Frame (page 157)
    • 3. Black-and-White and Collar (page 178)
    • 4. The Soundtrack (page 191)
    • 5. The Shot (page 201)
    • 6. The Scene (page 243)
    • 7. The Sequence (page 264)
  • PART III THE FILM ARTIST AND THE MOVIE BUSINESS
    • 1. Who Makes a Movie? (page 288)
    • 2. Development (page 302)
    • 3. Pre-production (page 327)
    • 4. Production (page 362)
    • 5. Post-production (page 410)
    • 6. Distribution (page 481)
  • For Further Reading (page 523)
  • A Note to the Instructor (page 531)
  • Glossary of Key Terms (page 539)
  • Index (page 559)
Reviews
Journal AbbreviationLabelURL
FQ 40.4 (Summer 1987): 50 http://www.jstor.org/stable/1212261
5,716 views since July 06, 2018
ACLS Humanities E-Book logo

ACLS Humanities E-Book

  • About HEB
  • Contact HEB
  • For Librarians
  • Subscriptions

Powered by Fulcrum logo

  • About
  • Blog
  • Feedback
  • Contact
  • Contribute
  • Accessibility
  • Preservation
  • Privacy
  • Terms of Service
  • Log In
© ACLS Humanities E-Book 2020
x This site requires cookies to function correctly.