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The Sounds of Stonehenge
Stephen Banfield
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The Sounds of Stonehenge originated as a workshop of the Centre for the History of Music in Britain, the Empire and the Commonwealth (CHOMBEC), held at the Victoria Rooms, University of Bristol, UK in November 2008. The 8 papers contain material pertaining to acoustic physics, anthropology, archaeology, architecture, cognitive psychology, English literature, film studies, history, history of art, media and popular studies, musicology, sociology, and creative composition.
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Front Cover
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Title Page
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Copyright
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Table of Contents
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FOREWORD
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LIST OF ABBREVIATIONS
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USING THE LIST OF SOURCES
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CREDITS
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LIST OF CONTRIBUTORS
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LIST OF FIGURES
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PART I ARCHAEOACOUSTICS AND BEYOND
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CHAPTER 1 The sounds of Stonehenge: some notes on an acoustic archaeology
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CHAPTER 2 New art―ancient craft: making music for the monuments
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CHAPTER 3 Soul music: instruments in an animistic age
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CHAPTER 4 Songs of the stones: the acoustics of Stonehenge
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CHAPTER 5 The cultural history of Stonehenge
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CHAPTER 6 Megaliths in English art music
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CHAPTER 7 Stonehenge and its film music
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CHAPTER 8 Stonehenge in rock
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LIST OF SOURCES
Citable Link
Published: 2010
Publisher: BAR Publishing
- 9781407306308 (paperback)
- 9781407321714 (ebook)
BAR Number: B504